Steve Kilbey interviewed in the Adelaide Advertiser

“the church milk their own song” – read the interview by Cameron Adams 14th Dec 2011 here http://www.adelaidenow.com.au/ipad/the-church-milk-their-own-song/story-fn6ci0vj-1226222061232

the church milk their own song” – read the interview by Cameron Adams 14th Dec 2011 here http://www.adelaidenow.com.au/ipad/the-church-milk-their-own-song/story-fn6ci0vj-1226222061232

Tim Powles chats to DB Magazine

TimEbandit chats with DB Magazine about the Future Past Perfect show – read below :     the church  Recent events have conspired to return the church to the public conscience. Industry recognition came last year with the band’s induction into the ARIA Hall of Fame accompanied, of course, by Steve Kilbey’s inspired acceptance speech. In April there was the one-off ‘Psychedelic Symphony’ concert at the Opera House to celebrate their thirtieth anniversary. Perhaps most crucial of all has been the success and critical acclaim for their 2009 album ‘Untitled # 23’. From his Sydney home on a rare day off, drummer Tim Powles reflects on a hectic but rewarding 2011. “The band haven’t been in the same place since the Opera House show but we’ve been working on plenty of things including the TV special and the forthcoming DVD and double live CD from that show as well. But recently we’ve been working on bringing the ‘Future, Past, Perfect’ tour to Australia that we toured through America in February.” That tour will see the church perform not one, but three albums in their entirety, namely ‘Starfish’, Priest = Aura’ and ‘Untitled # 23’, an ambitious concept with humble origins. “Our website moderator Sue Campbell inadvertently came up with the three album thing and suggested one per decade as a solution to an argument about what we would actually play. We were always going to do two, and we always came back to ‘Starfish’ and ‘Untitled # 23’ as being the oldest and most recent ‘classic’ records. Then we felt there wasn’t enough that was different in there because we’d covered the records, not totally, but reasonably within the last three or four years in our touring. So the idea of adding ‘Priest = Aura’ in so we had an eighties […]

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TimEbandit chats with DB Magazine about the Future Past Perfect show – read below :

 

 

the church 

Recent events have conspired to return the church to the public conscience. Industry recognition came last year with the band’s induction into the ARIA Hall of Fame accompanied, of course, by Steve Kilbey’s inspired acceptance speech. In April there was the one-off ‘Psychedelic Symphony’ concert at the Opera House to celebrate their thirtieth anniversary. Perhaps most crucial of all has been the success and critical acclaim for their 2009 album ‘Untitled # 23’.

From his Sydney home on a rare day off, drummer Tim Powles reflects on a hectic but rewarding 2011. “The band haven’t been in the same place since the Opera House show but we’ve been working on plenty of things including the TV special and the forthcoming DVD and double live CD from that show as well. But recently we’ve been working on bringing the ‘Future, Past, Perfect’ tour to Australia that we toured through America in February.”

That tour will see the church perform not one, but three albums in their entirety, namely ‘Starfish’, Priest = Aura’ and ‘Untitled # 23’, an ambitious concept with humble origins. “Our website moderator Sue Campbell inadvertently came up with the three album thing and suggested one per decade as a solution to an argument about what we would actually play. We were always going to do two, and we always came back to ‘Starfish’ and ‘Untitled # 23’ as being the oldest and most recent ‘classic’ records. Then we felt there wasn’t enough that was different in there because we’d covered the records, not totally, but reasonably within the last three or four years in our touring. So the idea of adding ‘Priest = Aura’ in so we had an eighties record, a nineties record and a new millennium record was actually just a comment in an email. But it was a great idea. Marty Wilson-Piper came up with the ‘Future, Past, Perfect’ title and we all kind of leapt into it. I think this is as focused as the band has ever been learning something. What it’s done is actually raise the standard of our live show by another fifty percent. It’s really stretched everybody. ‘Priest = Aura’ and ‘Untitled # 23’ particularly are not easy records to play live.”

That complexity coupled with the sheer length of the performance leaves band and audience feeling tired but exhilarated. “It’s a good exhaustion, though. It’s an amazing feeling. You forget the beginning of the night when you come off. It’s an amazing journey. In my opinion it’s the best show we’ve done in terms of a musical adventure and it has pretty much bits of everything that the church do. There’s no encore, just the three records. It clocks in at three hours twenty minutes or something by the time you’ve had a short break between them.”

After many years of hard graft, Powles is certainly enjoying the recent critical and commercial success, but as ever the band continue to forge their own path. “It does feel good. But it will also feel good when we’ve done the tour and hopefully people have come out to see it! It’s a risky venture, we’re doing this ourselves. We’ve chosen to take the risk, so I guess we’ll know by New Year’s Eve what happened!”

the church bring their ‘Future, Past, Perfect’ tour to the Norwood Town Hall on Thu 29 Dec. To read the full interview with Tim Powles, go to http://www.dbmagazine.com.au/535/iv-TheChurch-544.shtml

By James McKenzie

Concert Photos : Tone Deaf – The Enmore Theatre, Sydney

http://www.tonedeaf.com.au/photos/galleries/114000/the-church-8.htm#1 Photos at Tone Deaf’s site taken at the Future Past Perfect show at The Enmore Theatre, Sydney on Saturday 17th December 2011

http://www.tonedeaf.com.au/photos/galleries/114000/the-church-8.htm#1

Photos at Tone Deaf’s site taken at the Future Past Perfect show at The Enmore Theatre, Sydney on Saturday 17th December 2011

Radio interviews with Peter Koppes

Peter Koppes will be chatting live-to-air, Saturday 24th December at 11AM QLD (12PM EST) on “Weekend Mornings” with Sally Chester-Law. 4BC NEWS TALK RADIO (BRIS) STREAM: http://bit.ly/9zokJv Tune into Brisbane’s 4ZZZ 102.1FM this weekend, as Peter Koppes will be joining Robyn Claire of “Aussie Live & Local” Show in-studio. On air Saturday, 24th December @ 16:00PM QLD (17:00PM EST) ahead of the band’s second Powerhouse show! 4ZZZ 102.1FM (BRIS) STREAM: http://bit.ly/mJgoFw

Peter Koppes will be chatting live-to-air, Saturday 24th December at 11AM QLD (12PM EST) on “Weekend Mornings” with Sally Chester-Law. 4BC NEWS TALK RADIO (BRIS)


Tune into Brisbane’s 4ZZZ 102.1FM this weekend, as Peter Koppes will be joining Robyn Claire of “Aussie Live & Local” Show in-studio. On air Saturday, 24th December @ 16:00PM QLD (17:00PM EST) ahead of the band’s second Powerhouse show! 4ZZZ 102.1FM (BRIS)

Drum Media : Review of the Future Past Perfect show at the Enmore Theatre, Sydney 17th Dec 2011

http://www.streetpress.com.au/online_mags/DM/DM_1091/ Click on page 109 for a great review of our three album show in street press magazine Drum Media!

http://www.streetpress.com.au/online_mags/DM/DM_1091/

Click on page 109 for a great review of our three album show in street press magazine Drum Media!

AU Review : Enmore Theatre Show Sydney 17th Dec 2011

AU Review – “If I had a crystal ball I would predict that the church’s future will remain as inspired, creative and perfect as their past and present”. http://www.theaureview.com/sydney/the-church-enmore-theatre-17-12-2011

AU Review – “If I had a crystal ball I would predict that the church’s future will remain as inspired, creative and perfect as their past and present”.
http://www.theaureview.com/sydney/the-church-enmore-theatre-17-12-2011

The Music Network : Interview with Steve Kilbey 14th Dec 2011 about the Future Past Perfect shows

http://www.themusicnetwork.com/music-features/artists/2011/12/14/the-church-future-past-perfect/ by Nathan Jolly “We’re all quite passionate about very different things too, so it pulls us into some other place.” He pauses. “It’s just a lot of luck, though. That’s the most important thing.”  

http://www.themusicnetwork.com/music-features/artists/2011/12/14/the-church-future-past-perfect/ by Nathan Jolly

“We’re all quite passionate about very different things too, so it pulls us into some other place.” He pauses. “It’s just a lot of luck, though. That’s the most important thing.”

 

Homebrew Radio : Peter Koppes & Tim Powles

Listen in to Peter and Tim on Homebrew Radio 12th December 2011. Comes in at the 20 minute mark  http://www.homebrewradio.com.au/New/ – a series of interviews from the Homebake Music Film & Arts Festival, Sydney

Listen in to Peter and Tim on Homebrew Radio 12th December 2011. Comes in at the 20 minute mark  http://www.homebrewradio.com.au/New/ – a series of interviews from the Homebake Music Film & Arts Festival, Sydney

South Coast Register – Scene Magazine cover 7th Dec 2011

South Coast Register Scene magazine cover

tentacle

  who speaks thru me i am asking myself only the thin reedy voice of the future drowned out by a noisy past my poured ears my tendered arc we reach dimensional nebulae that unfold by intuition inside each burst lies the entropy it negates oh western spirit stumped by paradox who is it then who speaks through me? i am the tiniest voice you will never hear  says something lodged deep in here hiding in fear babylon sirius at the feet of the sphynx the island that sinks its people however risen we emerge from a strange past drowning us out we never remember anything at all after its over but its ingrained and brained  into you then though you feigned innocence no inner sense as if you saw for yourselves the realms of the dead not just the tombstones and flowers all around

Photo on 20-12-11 at 11.35 PM #2
Photo on 20-12-11 at 11.36 PM #2

advice from a caterpillarnew shot

 

who speaks thru me i am asking myself

only the thin reedy voice of the future drowned out by a noisy past

my poured ears

my tendered arc

we reach dimensional nebulae that unfold by intuition

inside each burst lies the entropy it negates

oh western spirit stumped by paradox

who is it then who speaks through me?

i am the tiniest voice you will never hear 

says something lodged deep in here hiding in fear

babylon sirius at the feet of the sphynx

the island that sinks

its people however risen

we emerge from a strange past drowning us out

we never remember anything at all after its over

but its ingrained and brained  into you

then though you feigned innocence no inner sense

as if you saw for yourselves the realms of the dead

not just the tombstones and flowers all around