News

Rolling Stone – David Fricke’s Picks: High Holy Daze

Fricke’s Picks: High Holy Daze Aug 8, 2009 “Please check the contents of your head,” singer-bassist Steve Kilbey of the Church announced in his slow-rolling-wave baritone during the Australian band’s New York gig on July 8th. “Items may have shifted during flight.” Only for the better. For nearly 30 years, the Church’s heavenly-treble raptures – driven by charter guitarists Peter Koppes and Marty Willson-Piper – have been one of rock’s most dependable and still-evolving trips. The set list that night captured the constancy and mutation, going deep into the gothic-Byrds peal of 1982’s The Blurred Crusade amid the stately-reverb suspense of “Deadman’s Hand” and the creeping-pop poise of “Pangaea,” both from the new untitled #23 (Second Motion). A hypnotic enigma of measured pace and mounting-ring dynamics, the album is, in fact, the group’s 23rd – a genuine milestone in longevity and psychedelic invention.”

Fricke’s Picks: High Holy Daze

Aug 8, 2009

“Please check the contents of your head,” singer-bassist Steve Kilbey of the Church announced in his slow-rolling-wave baritone during the Australian band’s New York gig on July 8th. “Items may have shifted during flight.” Only for the better. For nearly 30 years, the Church’s heavenly-treble raptures – driven by charter guitarists Peter Koppes and Marty Willson-Piper – have been one of rock’s most dependable and still-evolving trips. The set list that night captured the constancy and mutation, going deep into the gothic-Byrds peal of 1982’s The Blurred Crusade amid the stately-reverb suspense of “Deadman’s Hand” and the creeping-pop poise of “Pangaea,” both from the new untitled #23 (Second Motion). A hypnotic enigma of measured pace and mounting-ring dynamics, the album is, in fact, the group’s 23rd – a genuine milestone in longevity and psychedelic invention.”

Express Milwaukee – Untitled #23

http://www.expressmilwaukee.com/blog-4654-my-favorite-albums-of-2009.html My Favourite Albums of 2009 – Evan Rytlewski “Old dogs can teach themselves new tricks. Thirty years into their career—and 20 years after their brief commercial peak—The Church have recorded one of their most striking albums yet, a genuine psychedelic masterpiece. Untitled #23 retains all The Church’s hallmarks—the warm, effusive melodies; the complex guitar interplay; the surprising tangents—but it strikes a tone distinct from anything else in their discography. The band resists playing to their usual strengths for shimmering guitar-pop or grandiose, surround-sound rock, and instead attempts something less immediate. Untitled #23 is resigned and melancholic, its guitars restrained and its hooks hidden behind a shadowy, psychedelic haze. It’s a Rorschach inkblot of an album, and each listen lends itself to new discoveries and interpretations.” – Dec 11, 2009

http://www.expressmilwaukee.com/blog-4654-my-favorite-albums-of-2009.html
My Favourite Albums of 2009 – Evan Rytlewski

“Old dogs can teach themselves new tricks. Thirty years into their career—and 20 years after their brief commercial peak—The Church have recorded one of their most striking albums yet, a genuine psychedelic masterpiece. Untitled #23 retains all The Church’s hallmarks—the warm, effusive melodies; the complex guitar interplay; the surprising tangents—but it strikes a tone distinct from anything else in their discography. The band resists playing to their usual strengths for shimmering guitar-pop or grandiose, surround-sound rock, and instead attempts something less immediate. Untitled #23 is resigned and melancholic, its guitars restrained and its hooks hidden behind a shadowy, psychedelic haze. It’s a Rorschach inkblot of an album, and each listen lends itself to new discoveries and interpretations.” – Dec 11, 2009

Billboard April 13, 2010

http://www.billboard.com/#/news/the-church-launch-acoustic-tour-for-30th-1004082710.story The Church is celebrating its 30th anniversary with an acoustic tour featuring songs from throughout its career, and the Australian group’s Steve Kilbey says he and his bandmates are proud and pleased to have gotten this far. “I feel a bit like a very old man looking in the mirror saying, ‘I’m still handsome — but I’d rather be a young man,’ ” Kilbey tells Billboard.com with a laugh. “At least I can say we’re still trying. We still have integrity. We’re not on some kind of cabaret circuit going around in matching suits and playing on cruises. We’re still a rock ‘n’ roll band. “The Church is a funny band because we’ve sort of gone off the map,” he continues. “There are no other bands like us, no bands from 30 years ago who sort of…they either got really famous on some mega level, like The Cure, or they cease to exist. But the Church as kind of kept going on the same level.” And, he adds, the Church’s modest level of success has actually contributed to the band’s longevity. “Anybody can cop a bit of luxury,” Kilbey explains, “but I think that kind of thing can put a lot of pressure on a band and a band breaks up because of that. We never really made a lot of money, so there was never a lot of greediness or arguments because of money. That kind of left us free to actually concentrate on the music.” The Church’s show, dubbed An Intimate Space 30th Anniversary North American Tour 2010, features the group playing unplugged versions of a song from every album, in reverse chronological order and encompassing both rare tracks (“Ionian Blues” from 2005’s “Back With Two Beasts”) and the quartet’s lone U.S. hit, 1988’s “Under the Milky […]

http://www.billboard.com/#/news/the-church-launch-acoustic-tour-for-30th-1004082710.story

The Church is celebrating its 30th anniversary with an acoustic tour featuring songs from throughout its career, and the Australian group’s Steve Kilbey says he and his bandmates are proud and pleased to have gotten this far.

“I feel a bit like a very old man looking in the mirror saying, ‘I’m still handsome — but I’d rather be a young man,’ ” Kilbey tells Billboard.com with a laugh. “At least I can say we’re still trying. We still have integrity. We’re not on some kind of cabaret circuit going around in matching suits and playing on cruises. We’re still a rock ‘n’ roll band.

“The Church is a funny band because we’ve sort of gone off the map,” he continues. “There are no other bands like us, no bands from 30 years ago who sort of…they either got really famous on some mega level, like The Cure, or they cease to exist. But the Church as kind of kept going on the same level.”

And, he adds, the Church’s modest level of success has actually contributed to the band’s longevity.
“Anybody can cop a bit of luxury,” Kilbey explains, “but I think that kind of thing can put a lot of pressure on a band and a band breaks up because of that. We never really made a lot of money, so there was never a lot of greediness or arguments because of money. That kind of left us free to actually concentrate on the music.”

The Church’s show, dubbed An Intimate Space 30th Anniversary North American Tour 2010, features the group playing unplugged versions of a song from every album, in reverse chronological order and encompassing both rare tracks (“Ionian Blues” from 2005’s “Back With Two Beasts”) and the quartet’s lone U.S. hit, 1988’s “Under the Milky Way.” All fans attending the shows are given a free EP featuring “Deadman’s Hand” from the Church’s latest album, 2009’s “Untitled #23,” as well as some songs recorded since then.

Kilbey says the group hasn’t started working yet on its next album but is buoyed by the positive reception to “Untitled #23.” “It got really good reviews,” he notes, “so we’re thinking very carefully before jumping in to make our next one. We’re trying to compute all the data and try to figure out what people liked about it and try to take that into consideration when we start writing again.” Meanwhile, the Church’s current label, Second Motion Records, is working on getting some of the group’s older titles back into print and is also planning to release a box set of Kilbey’s solo material, titled “Monsters and Mirages,” in May, with a bundle of his side projects planned for 2011.

The An Intimate Space tour wraps May 1 in Atlanta. Kilbey says the group is then talking about going out on an electric tour during which it will play “Untitled #23” and 1988’s “Starfish” in their entireties.”

ARIA Hall of Fame celebrates music’s loved ones

28 October 2010 by Jason Treuen The Music Network “How do you squeeze 50 years into five minutes?” music/television icon Johnny Young wondered aloud upon accepting his ARIA Hall of Fame induction. Of course, it’s an impossible task for an awards ceremony but last night’s event, overflowing with rich rock ‘n’ roll stories and candid anecdotes, got as close as it could. As fellow inductees, ‘60s icons The Loved Ones, observed in their speech: “The true beauty of the Hall of Fame is the history it brings with it.” Moving from its traditional home of Melbourne to Sydney’s Hordern Pavilion, the ceremony combined a new Rockwiz format with a night of touching speeches, live tributes and standing ovations. Lots of standing ovations and deservedly so. After a quick trivia game hosted by Rockwiz’s snappy duo of Julia Zemiro and Brian Nankervis, the night officially opened by ARIA Chairman Denis Handlin (AM) who welcomed the night’s inductees – Young, The Loved Ones, The Church, Models and John Williamson – as artists who “have truly taken their place in Australian music”. Models kicked things off with a gritty version of their hit I Hear Motionbefore being inducted by former bandmate Wendy Matthews. She recounted meeting them for the first time playing indoor cricket in the studio, that they were “exquisite to look at” and deemed them her “merchants of happiness”. The band (sans Jame Freud who’d had another “bicycle accident”) took the stage, acknowledged the traditional owners of the land and thanked pretty much everyone – former band members, former labels, media, roadies and the public – before playing their songEvolution. Industry icon and promoter Michael Chugg spoke candidly about his love for The Loved Ones, confessing they were the reason he moved to the mainland from Tasmania aged 19. “They grabbed me by the balls!” he proclaimed. The band accepted the accolade, thanked […]

28 October 2010
by Jason Treuen
The Music Network

“How do you squeeze 50 years into five minutes?” music/television icon Johnny Young wondered aloud upon accepting his ARIA Hall of Fame induction.

Of course, it’s an impossible task for an awards ceremony but last night’s event, overflowing with rich rock ‘n’ roll stories and candid anecdotes, got as close as it could. As fellow inductees, ‘60s icons The Loved Ones, observed in their speech: “The true beauty of the Hall of Fame is the history it brings with it.”

Moving from its traditional home of Melbourne to Sydney’s Hordern Pavilion, the ceremony combined a new Rockwiz format with a night of touching speeches, live tributes and standing ovations. Lots of standing ovations and deservedly so.

After a quick trivia game hosted by Rockwiz’s snappy duo of Julia Zemiro and Brian Nankervis, the night officially opened by ARIA Chairman Denis Handlin (AM) who welcomed the night’s inductees – Young, The Loved Ones, The ChurchModels and John Williamson – as artists who “have truly taken their place in Australian music”.

Models kicked things off with a gritty version of their hit I Hear Motionbefore being inducted by former bandmate Wendy Matthews. She recounted meeting them for the first time playing indoor cricket in the studio, that they were “exquisite to look at” and deemed them her “merchants of happiness”.

The band (sans Jame Freud who’d had another “bicycle accident”) took the stage, acknowledged the traditional owners of the land and thanked pretty much everyone – former band members, former labels, media, roadies and the public – before playing their songEvolution.

Industry icon and promoter Michael Chugg spoke candidly about his love for The Loved Ones, confessing they were the reason he moved to the mainland from Tasmania aged 19. “They grabbed me by the balls!” he proclaimed.

The band accepted the accolade, thanked many and oddly argued for a better broadband network in Australia. Diesel saluted them with a rocking version of their seminal hit The Loved One.

Sara Storer performed John Williamson’s Mallee Boy while Greens senator Bob Brown seemed more nervous than his usual self as he inducted his mate. “His music makes us all feel good under the Southern Cross,” Brown declared.

Williamson was equally edgy on stage, stating: “I didn’t think I’d be shaking as much as I am” as he praised the music industry he’s spent 40 years in. He performed Raining On The Rock with the “best guitarist he’s ever played with”, Col Watson, and then did his classicTrue Blue solo, urging the audience to sing along.

Short Stack rocked out Johnny Young’s 1966 hit Caralyn. Amusingly, the Budgewoi pop-rockers were born more than twenty years after it was released.

Tina Arena flew in from Paris just to induct her Young Talent Time founder, mentor and “adopted father” Johnny Young. In a tender and teary tribute, she quoted ‘60s English icon Lulu, asking “How do you thank someone, who has taken you from crayons to perfume?”

A visibly touched Young spoke of length of his long career, a recent interview with a young journo, his favourite film (As Good As It Gets) and Eckhart Tolle’s motivational book The Power of Now. Then ‘Tiny Tina’, as she used to be known on YTT, sang Here Comes The Star, the 1969 song written by Young for Ross D Wylie.

Last but not least came The ChurchMegan Washington joined the Rockwiz Orchestra to perform their classic, Unguarded Moment, while SBS presenter George Negus spoke highly of the band who’s “supplied thirty years of memories.”

“Wow, thanks George,” said Church frontman Steve Kilbey. “Next time I appear in Waverly court can you be my character witness?” referencing his recent court appearance after a domestic dispute.

Kilbey spoke animatedly and passionately about the many Aussie bands that came before them and heaped praise on his fellow inductees. About The Loved Ones, he said “even though I was 12, I knew there was something rude going on.”

Enthralling the audience for over twenty minutes, he also recounted great rock ‘n’ roll stories about signing with Chuggi in 1981 “because they were too scared to say no”, black eyes and getting flashed with “Tassie tits”.

“And I’m still amazed by Richard Wilkins‘ hair,” he beamed. “From behind, he looks like a schoolboy!”

“Well, that’s really demystyified us,” said bandmate Marty Willson-Piper when he finally got to talk. “For thirty years, we’ve tried so hard to be aloof.”

And lastly we’d like to thank God,” said the show-stealing Kilbey, reclaiming the mic, “for giving this country so much unbearable talent”. The band then hit the stage to play Under The Milky Way andTantalise before Johnny Young closed the night with his traditional send-off “Good night Australia”.

18 Nov 2010 Newsletter

Click here to download the official newsletter: 18 Nov 2010 Newsletter

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18 Nov 2010 Newsletter

Reissues & Best-Ofs

RAVE Magazine November 16, 2010

church_reviews

RAVE Magazine
November 16, 2010

the church are Dead Cool

DEAD COOL namedrop the church in their super cool free daily email : “Church fans freak out! The back catalog reissues are finally here! Beautiful arty CDS remastered with rare bonus tracks!” www.deadcoolshop.com/music+cinema/recommended-albums/the-church-reissued/

DEAD COOL namedrop the church in their super cool free daily email : “Church fans freak out! The back catalog reissues are finally here! Beautiful arty CDS remastered with rare bonus tracks!”

www.deadcoolshop.com/music+cinema/recommended-albums/the-church-reissued/

CHURCH MERCHANDISE

Peruse the church shopping mall for a wide selection of church products including : the church albums – studio, remastered versions and compilations, solo and side projects, video, DVDs, t-shirts and occasional random items including quality artwork by Steve Kilbey. Payment can be by online credit card and money orders are also accepted by snail mail. Visit Churchmerch to check it all out and bookmark the link below. If you have any general Churchmerch enquiries, send an email to : thechurchmerch@thechurchband.com

Peruse the church shopping mall for a wide selection of church products including :

the church albums – studio, remastered versions and compilations, solo and side projects, video, DVDs, t-shirts and occasional random items including quality artwork by Steve Kilbey.

Payment can be by online credit card and money orders are also accepted by snail mail. Visit Churchmerch to check it all out and bookmark the link below. If you have any general Churchmerch enquiries, send an email to : thechurchmerch@thechurchband.com

Rickenbacker Electric 12-String The Story Of The Guitars, The Music, And The Great Players by Tony Bacon

“Marty Willson-Piper features in this book in a full 2-page spread with photos and article.This book tells the story of those heady days in the ’60s, of the competitors who tried and failed to match the sound, and of the instrument’s continuing production by Rickenbacker and use by many modern guitarists. Complete with high-quality photos and exclusive interviews with many of the 12-string’s leading players, this is the best guide yet to the history of the sound of jingle-jangle.” Available in good book stores around the world and Amazon.com online. http://www.very-clever.com/information/doizkdzooa

“Marty Willson-Piper features in this book in a full 2-page spread with photos and article.This book tells the story of those heady days in the ’60s, of the competitors who tried and failed to match the sound, and of the instrument’s continuing production by Rickenbacker and use by many modern guitarists. Complete with high-quality photos and exclusive interviews with many of the 12-string’s leading players, this is the best guide yet to the history of the sound of jingle-jangle.” Available in good book stores around the world and Amazon.com online.

http://www.very-clever.com/information/doizkdzooa

Boston Music Examiner

The Church: Much more than ‘Under The Milky Way’ Read Michael David’s article here

The Church: Much more than ‘Under The Milky Way’

Read Michael David’s article
here