rambling underfoot

where would we be without music? powerful stuff how does it work? nobody knows i can write it i can play it i can sing it but i got no idea how it works musics like a car to me i know if i do certain things i will get to where i want to go but i have no idea why good music feels so good how do i write music these days? well if i’m on my own i fiddle about i may have some vague shadowy thing in my head like i want to write a cross between all my favourite songs in one othertimes i just goes with the flows like debussy automatic writing i pick up an instrument …phrases come to me out of the blue it is like that for me now with all my endeavours a geeza sends me a song sing on this please sk ok yeah bang a couple of hours later i dreamed up the words sang all the parts no problem where did it come from? i dunno but i know it will be there having duly honoured my muse and creativity i feel like i am now rolling easy i can do whatever i want to do vis a vis music painting and writing i expect to do something bloody good and i almost bloody well do sometimes i observe myself endlessly pulling stuff outta the ether… i pay for it in other ways tho of course i am a bit of a foolish fellow…you have to understand and now half deaf i am almost quite comical rambling on when i get the wrong end of the stick i do that quite frequently i should shuttup and work my work is all i’m good at i have so […]

Photo on 26-06-12 at 6.44 PM

my guitar is my staff : charged with my energy : it is in symbiosis with me

where would we be without music?

powerful stuff

how does it work?

nobody knows

i can write it i can play it i can sing it

but i got no idea how it works

musics like a car to me

i know if i do certain things i will get to where i want to go

but i have no idea why good music feels so good

how do i write music these days?

well if i’m on my own i fiddle about

i may have some vague shadowy thing in my head

like i want to write a cross between all my favourite songs in one

othertimes i just goes with the flows

like debussy

automatic writing

i pick up an instrument …phrases come to me out of the blue

it is like that for me now with all my endeavours

a geeza sends me a song

sing on this please sk

ok yeah

bang

a couple of hours later i dreamed up the words sang all the parts

no problem

where did it come from?

i dunno but i know it will be there

having duly honoured my muse and creativity

i feel like i am now rolling easy

i can do whatever i want to do

vis a vis music painting and writing

i expect to do something bloody good

and i almost bloody well do sometimes

i observe myself endlessly pulling stuff outta the ether…

i pay for it in other ways tho of course

i am a bit of a foolish fellow…you have to understand

and now half deaf i am almost quite comical

rambling on when i get the wrong end of the stick

i do that quite frequently

i should shuttup and work

my work is all i’m good at

i have so much work to do

i have some serious writing commissioned

i have some paintings commissioned

i have songs commissioned

i have guest appearances being booked

i speak i act i perform i reminisce

i sometimes make em laugh with my old palaver yes

i keep the people here entertained

yesterday i asked scarlet if she’d rather a bike or a unicorn

after a bit of thought she said oh a unicorn i guess

then i rang up the imaginary bloke at the bondi junction unicorns R us

and i’m talking to him in a very grown up voice

and scarlets eyes are widening all the time

yes yes i want a flying unicorn please…do you have any left?

the guy mutters some apology

only 3 left sir this afternoon

i tell scarlet

her eyes are wide now like saucers

she wants to believe it but she’s not saying much

any females? i ask

but the guy says he’s only got males

i tell scarlet about 7 year old snuffly the male flying unicorn

would you like a little male, scarlet?  i ask

but she shakes her head

i have a bit of an argument with the bloke

i mean you’d think they’d bloody well have some little females wouldn’t you?

i mean c’mon is there a unicorn shortage?

anyway  after some grumbling i hang up

scarlet looks thoughtful

about 5 minutes later she comes up

she’s looking very serious now

dad I’ve changed my mind

I DO WANT SNUFFLY!

 

 

 

bib pectins fave moments in aussie rock history

ha ha bib pectins back like he never wennaway cor blimey i’m such a likely lad eh what you betcha little lovely someone asked me to reminisce th’other night some top notch awards ceremony in a (scout)hall in broads head my fave aussie moments in rocknroll c’mon bib please be a rack on tour for us well christ lemme think i says between champers and vegi-sushi nibbles with that fucken sauce i don’t like… i turned to me manager banga pearson who once worked for chuggy himself i told you not to ever have this stuff served at my gigs but bib-0 says banga this aint your fuckin’ gig me old sunny jim jam wham bam thank you ma’am get on with the story bib you turkey or i’ll dim your bloody sim for ya! can’t remember what i was saying banga when you interrupted me… about your fave aussie rock moments in your ill-ustrious careering… oh yeah well one would have to be johnny hooch and the young new stars the young new stars were anything but young or new or stars such is the power of the media chicks flocked to these mock turtles like yabbies towards a bit of meat johnny hooch that wasn’t even his real name… fuck i wish i’d thought of that instead of being bib pectin or even johnny pectin has a bit of wallop ya know what i mean although bib hooch is quite a fine moniker too for a refined avuncular wild yet mild man a swooning crooner who wears the crown among the cabaret clowns who drown in maudlin towns anyway johnny friggin’ hooch and the the new young ding dongs are like in this hotel man down in the east lake airport strip some hot night they just did […]

Photo on 2012-06-22 at 09.23

local colourful identity

ha ha bib pectins back like he never wennaway

cor blimey i’m such a likely lad eh what you betcha little lovely

someone asked me to reminisce th’other night

some top notch awards ceremony in a (scout)hall in broads head

my fave aussie moments in rocknroll c’mon bib please be a rack on tour for us

well christ lemme think i says between champers

and vegi-sushi nibbles with that fucken sauce i don’t like…

i turned to me manager banga pearson who once worked for chuggy himself

i told you not to ever have this stuff served at my gigs

but bib-0 says banga

this aint your fuckin’ gig me old sunny jim jam wham bam thank you ma’am

get on with the story bib you turkey or i’ll dim your bloody sim for ya!

can’t remember what i was saying banga when you interrupted me…

about your fave aussie rock moments in your ill-ustrious careering…

oh yeah well one would have to be johnny hooch and the young new stars

the young new stars were anything but young or new or stars

such is the power of the media

chicks flocked to these mock turtles like yabbies towards a bit of meat

johnny hooch that wasn’t even his real name…

fuck i wish i’d thought of that instead of being bib pectin

or even johnny pectin has a bit of wallop ya know what i mean

although bib hooch is quite a fine moniker too for a refined avuncular wild yet mild man

a swooning crooner who wears the crown

among the cabaret clowns who drown in maudlin towns

anyway johnny friggin’ hooch and the the new young ding dongs

are like in this hotel man down in the east lake airport strip

some hot night they just did a fuckin’ gig and pulled a thousand people

and some bastard ran away with the door

the whole door for the whole night

and hoochie bring some you know ha ha senoritas back to room 113

and he no called hooch for nothing you know what i really mean here

some other idiot gotta speargun

in johnnys room the champagne has been flowing and flown

strewn clothes carelessly adorn the dawning

man i shoulda been floored just by the beer

and whatever was that christmas cheer hooch picked up here

before he flew there where he had a pair of sold out blocks

the first señorita

you see she’s lapping up fames big lie ha ha like a cat yes yes

oh johnny i love your music so much blah blah ha ha ha

oh yeah which song you like best little stranger?

oh i dunno there names johnny i just love the way the feel to me

which is good for you johnnie cos i wanna be good to you too

in those days i used to open for hooch strange as it may seem now

i used to go up to his room

he always had the best fucking room in the joint

and vice versa naturally seeing he was the hooch man himself right

his big number one hit written by boswell scallywag and tob bobbin

banga what was that called…. that one….?

i call you zephyr cause you blow?

nah banga not that one the one about the scrubber in the flat

that really romantic one…?

fuck that was a great song what was it called…..?

recorded by dennis menagerie wasn’t it at nausea studios …?

you mean the old rex vomit place in new oldham….?

not the place wrinkled carrot made hedgehog….?

mate wrinkled carrot didn’t even play on hedgehog that was the old new young stars

but who played the solo on my girl rat?

that was tiggy moss-gosse from fearsome waterfowl

really i never knew tiggy could play like that ….

but what about johnny hooch and the lads…back at the hote-ie…?

yeah a guy turned up was actually mr asias dad mr asia snr

opiated hash carved into replicas of buddha man heavy as your heart

hooch and mr asia snr get totally ripped on the products at hand

hooch smoked almost a whole sid-arthur before he stopped

then mr asia snr says now where iss my munny hooch…?

but says hooch i didn’t get paid at the gig sir i got fleeced as you might say…

things turn nasty

one of the roadies of the flamboyantly dull knocks over the aquarium

shorts out the lights and everyones in the dark

the guy with the speargun fires into the darkness

as the cops bust down the door and a news elly-coptah ‘overs hoverhead

and the guy who signed em to tepid records rolls up with a fucking cheque for a hundred grand

bullshit. he also had a nuff coke-ayne to last a legion of actors and footy stars a leap year

and the models and playboy bunny who was the premiers mistress sister to manny gambini at the cross

he had vatty-kin ties dyed with that lot who whip emselves through the streets of meddy-evil movies

johnny hooch was also a 13th dan jing jing-u master

i saw him take on a senior girls hockey side with ‘is guitar still ‘anging off ‘im

plus the cops were on the take from mr asia snr

it was give n take actually

and hooches twin brother gerald at that moment showed up

he was a senator in some bi election

fuck!

yes!

what happened then?

what?

what bloody happened then?

?

oh well

send five euros to pectin@you’avemunny.org.ie

and i might tell ya what happened next…if yer lucky….

 

 

 

 

 

 

 

 

 

 

 

 

the church will tour with Simple Minds and Devo!

simple minds, devo and the church This Summer 2012 the church will complete a tri-continental Scottish, American and Australian band bill across Australia and New Zealand by touring with art stadium stalwarts Simple Minds and art rock innovators Devo. This tour will cover major city venues as well as a day on the green concerts in regional areas where Melbourne contemporaries Models will join the bill. Although all bands formed in the seventies and entertained the mainstream in the eighties, all have endured and remained creative continuing to tour and release albums to critical and public acclaim. Do not miss this art rock extravaganza as it rolls into your town.   Australian and New Zealand Tour Dates : Models will also play all a day on the green shows. Tickets for all shows on sale Monday July 2 via Ticketek and Ticketmaster. http://www.adayonthegreen.com.au/news AUSTRALIA Friday Nov 30    MELBOURNE Palais Theatre                               Bookings thru ticketmaster.com.au & 136 100 Sat Dec 1        a day on the green – Rochford Wines, Yarra Valley VIC                              Bookings thru ticketmaster.com.au & 136 100 Sun Dec 2      ADELAIDE Entertainment Centre                              Bookings thru http://premier.ticketek.com.au/ & 132 849 Tues Dec 4     PERTH Kings Park & Botanic Garden                               Bookings thru ticketmaster.com.au & 136 100 Friday Dec 7    SYDNEY Entertainment Centre                               Bookings thru ticketmaster.com.au & 136 100 Sat Dec 8     a day on the green – Bimbadgen Winery, Hunter Valley NSW […]

simple minds, devo and the church

This Summer 2012 the church will complete a tri-continental Scottish, American and Australian band bill across Australia and New Zealand by touring with art stadium stalwarts Simple Minds and art rock innovators Devo.

This tour will cover major city venues as well as a day on the green concerts in regional areas where Melbourne contemporaries Models will join the bill.

Although all bands formed in the seventies and entertained the mainstream in the eighties, all have endured and remained creative continuing to tour and release albums to critical and public acclaim.

Do not miss this art rock extravaganza as it rolls into your town.

 

Australian and New Zealand Tour Dates :

Models will also play all a day on the green shows.

Tickets for all shows on sale Monday July 2 via Ticketek and Ticketmaster.

http://www.adayonthegreen.com.au/news

AUSTRALIA

Friday Nov 30    MELBOURNE Palais Theatre

                              Bookings thru ticketmaster.com.au & 136 100

Sat Dec 1        a day on the green – Rochford Wines, Yarra Valley VIC

                             Bookings thru ticketmaster.com.au & 136 100

Sun Dec 2      ADELAIDE Entertainment Centre

                             Bookings thru http://premier.ticketek.com.au/ & 132 849

Tues Dec 4     PERTH Kings Park & Botanic Garden

                              Bookings thru ticketmaster.com.au & 136 100

Friday Dec 7    SYDNEY Entertainment Centre

                              Bookings thru ticketmaster.com.au & 136 100

Sat Dec 8     a day on the green – Bimbadgen Winery, Hunter Valley NSW

                              Bookings thru ticketmaster.com.au & 136 100

Sun Dec 9      a day on the green – Sirromet Wines, Mt Cotton QLD

                              Bookings thru ticketmaster.com.au & 136 100

Wed Dec 12    WOLLONGONG WIN Entertainment Centre

                              Bookings thru http://premier.ticketek.com.au/ & 132 849

 

NEW ZEALAND

 Sat Dec 15      a day on the green – Villa Maria Estate, Auckland

Bookings thru www.ticketmaster.co.nz &  0800 111 999.

the church

IT’S A UNIQUE BAND that finds itself cherished as a bona fide legend in the ARIA Hall of Fame while remaining a virtual enigma to the world that knows its name. But maybe that’s no more remarkable than the mystery that continues to unfold within its own ranks. the church’s accidental signature tune, Under The Milky Way, is like a lighthouse on the brink of a continent forever to be discovered: 25 albums over 35 years and countless diversions that have almost destroyed them a dozen times, yet always reaffirm a mutual commitment to an uncompromising and unparalleled act of creation. At this stage of the journey, FURTHER/DEEPER seems both unimaginable and the only option on their endless quest from chaos to resolution. It’s an album of breathtaking new vistas and intense emotions, of sinister black caskets and gorgeous caverns of light, a work born of immense struggle and effortless expression.   “The magic started on day one,” says singer and bass player Steve Kilbey. “Someone strummed a chord or struck a drum or plucked a note and we were off. We wrote and recorded like demons and it was inspiring to feel every member using all his resources in the service of this record.” Twenty-six songs were born over eight days of exploration in Sydney in late 2013. Guitarist Peter Koppes, recalibrating his personal canvas in the absence of his long-time foil Marty Willson-Piper, drew palpable inspiration from the quartet’s remixed chemistry. “This new incarnation of the band with Ian Haug has brought a joyous energy to the music we’ve written together,” he says. “The rhythm swings more than usual yet the moods still range from melancholy pop to our modern version of heavy psychedelic rock, as in Laurel Canyon, to the epic gothic-progressive dance track, Globe Spinning.” From the ominous allure of the lead track, Vanishing […]

IT’S A UNIQUE BAND that finds itself cherished as a bona fide legend in the ARIA Hall of Fame while remaining a virtual enigma to the world that knows its name. But maybe that’s no more remarkable than the mystery that continues to unfold within its own ranks. the church’s accidental signature tune, Under The Milky Way, is like a lighthouse on the brink of a continent forever to be discovered: 25 albums over 35 years and countless diversions that have almost destroyed them a dozen times, yet always reaffirm a mutual commitment to an uncompromising and unparalleled act of creation. At this stage of the journey, FURTHER/DEEPER seems both unimaginable and the only option on their endless quest from chaos to resolution. It’s an album of breathtaking new vistas and intense emotions, of sinister black caskets and gorgeous caverns of light, a work born of immense struggle and effortless expression.

 

“The magic started on day one,” says singer and bass player Steve Kilbey. “Someone strummed a chord or struck a drum or plucked a note and we were off. We wrote and recorded like demons and it was inspiring to feel every member using all his resources in the service of this record.” Twenty-six songs were born over eight days of exploration in Sydney in late 2013. Guitarist Peter Koppes, recalibrating his personal canvas in the absence of his long-time foil Marty Willson-Piper, drew palpable inspiration from the quartet’s remixed chemistry. “This new incarnation of the band with Ian Haug has brought a joyous energy to the music we’ve written together,” he says. “The rhythm swings more than usual yet the moods still range from melancholy pop to our modern version of heavy psychedelic rock, as in Laurel Canyon, to the epic gothic-progressive dance track, Globe Spinning.” From the ominous allure of the lead track, Vanishing Man, to the beguiling tippy toes of Pride Before A Fall; the chiming keys of Love Philtre to the sheer hammer horror Toy Head; the exhilarating breeze of Old Coast Road and the ultimate, panoramic drama of the mini-screenplay that is Miami, FURTHER/DEEPER delivers on the promise of its title in a combined blossoming of melody, rhythm and audacity.

 

For Haug, transitioning from the multi-platinum ashes of Powderfinger to join “one of my favourite bands of all time” was an utterly surreal experience, audibly expressed in fantastic new dimensions of the church’s fabled “guitarchitecture”. “The first song we wrote was Miami, and from there we splintered off into several styles of surreal to intense psychedelia — and songs to make you drive fast,” he says. “It was a trip. And an incredible honour to be accepted so readily into a songwriting as well as guitar-playing role.” Drummer Tim Powles was again instrumental in the painstaking alchemy that boiled the explosion of ideas down to 12 potent pieces in the early months of 2014, a process that often saw members working simultaneously in separate studios across multiple instruments to produce a work of singular cohesion.

 

“After an eternal twenty years in the church I marvel more than ever at how we’ve become masters of our own freedom,” he says. “No strings attached, no view to winning a prize. How lucky are we? Or have we earned it? We’ve got better at it too. Or maybe it’s got the better of us. It seems to devour us. Like magic.”

Like magic. As Kilbey sings in the desperate, beatific throes of Delirious:

“These pieces

Are easy

Try to put them together

It’s impossible…”

…and yet…

hex : the search for euphoric music

i first met donnette thayer in 1984 in san francisco on tour 4 years later despite both having someone else we fell into an incredible glamourous decadent collaboration and called it hex in fact dt had put a bit of a hex on me one day after catching up with her in san francisco i woke up and realised i was totally hooked on this person i could not think straight my system had delivered some kind of endorphin hit and it was screaming out for more but she lived with a guy who was a lead singer he was the main man in her group called game theory who were an eccentric and quite wonderful band who had absorbed some big star and were incredibly melodic the songs had strange turns dt was the other guitar player n sometime vocalist game theory were doing pretty good they were doing ok in their scene make no mistake their records had some brilliant bits anyway i was touring america for almost a year straight and calling dt for an hour during her lunchtime at the lab she had a fucking degree in chemistry for christs sake but eventually she flew out occasionally to where i was playing and we entered a world of our own conspiring in strange and luxurious and run down and nondescript hotel rooms we began to hatch hex i guess when donnette wasn’t around i stayed in my room and wrote music i vividly remember certain hotels in certain cities in tampa florida on a warm night after the show i plugged in my sequencer and i composed the songs that would be on our album all this pent up confused feeling i had came out as this music which i diligently crafted into the night the […]

Photo on 13-06-12 at 7.35 PM

mile after mile burn after burn return

i first met donnette thayer in 1984 in san francisco on tour

4 years later despite both having someone else

we fell into an incredible glamourous decadent collaboration

and called it hex

in fact dt had put a bit of a hex on me

one day after catching up with her in san francisco

i woke up and realised i was totally hooked on this person

i could not think straight

my system had delivered some kind of endorphin hit

and it was screaming out for more

but she lived with a guy who was a lead singer

he was the main man in her group called game theory

who were an eccentric and quite wonderful band

who had absorbed some big star and were incredibly melodic

the songs had strange turns

dt was the other guitar player n sometime vocalist

game theory were doing pretty good they were doing ok in their scene

make no mistake their records had some brilliant bits

anyway i was touring america for almost a year straight

and calling dt for an hour during her lunchtime at the lab

she had a fucking degree in chemistry for christs sake

but eventually she flew out occasionally to where i was playing

and we entered a world of our own conspiring

in strange and luxurious and run down and nondescript hotel rooms

we began to hatch hex i guess

when donnette wasn’t around i stayed in my room and wrote music

i vividly remember certain hotels in certain cities

in tampa florida on a warm night

after the show

i plugged in my sequencer

and i composed the songs that would be on our album

all this pent up confused feeling i had

came out as this music which i diligently crafted into the night

the next day i’d ring her at lunch n play her stuff over the phone

i wrote the music to impress her

it was the best i could do

i was hearing a new sound in my head

electro pop music that would feel like romantic acid

incorporating lots of reverb and howling guitars

incorporating the sampling of voices and re-playing them back in

incorporating weird sad beautiful lyrics

and here was donnette thayer

in some parallel universe she could have been a pop star

to me she was like one of those heroines in forties n fifties movies

she contained many opposites and was of a feline bent

and she oscillated between the sacred and profane

she could be urbane american or goddamn cowgirl from denver

she seemed dedicated to me like an apostle or something

and yet she was tough cynical and resilient

the fact that someone like her thought i was so great impressed me

it was 1988

my life was now in a whirlwind

after a long slog to crack it

we are touring the states incessantly

only interrupted by brief stabs at europe

then back in the usa

so i put a lot of work into the record

as i get insulated from this real world out here

into a strange bubble oh boy

at the end of 1988 dt and i go to nyc where we record hex

we were staying in my managers apt uptown somewhere

it was winter and dark and snowing

at night we worked during peoples off hours

donnette and i worked on the lyrics together

theres some real good things here …some great words

it all kinda started to coalesce for me

i added the guitars and basses and percussion

i played around with different recording tricks and techniques

i think the singing on here is pretty good

it was exactly what was needed

some of the songs on this record suddenly burst through the clouds

and hit ecstatic plateaus

we were influenced by absolutely no one here

this was instant hex

as a labour of love i had conspired these songs

guided by my intuitive instinct for pop

and my intrinsic desire to transcend

the music and the words we summoned out of the ether

because something told us to do it

we bickered a bit and sometimes she rebelled against my meglomania

but she endlessly concentrated on working

she was ready for experimentation

and she usually sang quite in tune

and she could suddenly get very shrill very fast

like cilla black could

go from soft velvety to passionate and edgy in no time

usually i liked this tho dt sometimes had a tendency to overdo it

but mostly i was able to get these great performances as you hear here…

when margot smith heard the last song on hex

she insisted on doing it on the spot

so you will hear it on her album touch

anyway it got some good reviews but generally it sank without much notice

i don’t know why

in 1988 this was quite a futuristic record

the final piece in the hex puzzle was engineer bryce goggin

we met him in new york and he mixed it for nothing

he not only mixed it

but he contributed greatly to the albums sonic wallop

by replacing some of my dodgy sounds with some very cool ones

and then he mixed it and nailed it in a crystal dreamy innovative way

i will always believe this record was a masterpiece

it was just too good to be understood then

the few people who came across it were amazed at the songs herein

we were searching for euphoria

sometimes we goddamn almost find it

vast haloes is a different story

hex was written in a fevered dream a honeymoon period

i had been reborn a star and i had dt as my disciple

if you’ve seen judy davis playing william burroughs wife in naked lunch

you can kinda get the idea of how donnette was

languid sleepy tired sometimes

funny the more tired she looked the more i liked it

she looked good tired i don’t know why

she really knew a lot about guitars and amps

she was a good guitarist too actually

she could actually play

but i was a tyrant

and the purity of hex depended me playing everything

that having been said donnette ran into a guy called jim mcgrath

he was a percussion master

and he played all over this record and added much colour and spice

he added organic energy too

now while hex had been very sparse electro and in some ways restrained

vast haloes took on other genres with varying results

vast haloes has a bigger sound in some ways

a few songs on here are pop masterpieces i have no doubt

recorded in la at various studios including a+m

its a record made on the way down

its high points are maybe higher

its low points a bit lower

over all its still a special record

i played it produced it co-mixed it

i controlled everything

sometimes i lost my judgement

sometimes i came up with fantastic lush stuff like aquamarine

imagine this

a room at the hollywood roosevelt in the dead of winter

dt had her own joint down the road

she wasn’t always there

alone in a wet cold alien winter

i looked out onto the empty blue pool and jacuzzi

smoking new strains of powerful ganja

i came up with this music

dt would come back we’d think up the vocals

we’d get another few days somewhere on the cheap

or as a favour to our manager mike lembo

he never realised hex was actually pretty good

it got a couple rave reviews in england too..but….

i stayed there for quite a while in that same room

there was no one on hollywood boulevard it seemed

slightly unhinged by my whole life

its successes and failures

and reacting badly to too many bad things

too bad i didn’t know then what i know now

still theres some stirring moments here

some unusual things some arcane and fabulous moments

after the first records austerity necessitated by time and technology

i crammed everything but the kitchen sink onto this record

in an effort to emulate todd rundgren a la wizard a true star

so theres stuff going on everywhere

sometimes its vulgar and comedic

sometimes its intricate and quite mysterious to me now

how did i ever dream some of this stuff up

yes there is some great transcendent pop music here

the birth of trip hop someone once said

during the making of the first hex one day donnette and i got food poisoning

and we both lay in bed hallucinating in a cold fever

one day i looked in the mirror

there i was gaunt dishevelled tired stoned unshaven

man i was every popstar i ever wanted to be rolled into one

my head was bursting with ideas for music

people in australia were beginning to twig i was drifting off

they would ring me and persuade me to come back

but i didn’t want to

i was in new york city

it was winter

i had a bit of money

it was cafes and restaurants and cabs to the studio

i bent all my focus on the first record

my life was suddenly impossible groovy and alien

i really was a bit of a popstar

we went to bars and we drank a bit and watched comedians

once in the middle of a deadcold winter night

a comedian stopped the show and pointed to dt and said

hey lady you got something going with this guy aint ya?

at christmas time instead of returning to australia

i went to donnettes mothers place in denver colorado

oh man!

a truly extraordinary time!

donnettes mother and boyfriend were quite youngish

they were extremely groovy and turned on hipster types

they made me more than welcome

they also laid on many many special refreshments

my christmas gift was a wonderful refreshment

her mother was an amazing character

madeleine stowe always reminded me of her mother

we used to go to the best mexican restaurants

and we’d drink beer and have a really cool time

these were no byron bay hippies

these were the real deal

travelling all over america

her mother was like a tough pretty funny classic american type

the type i had seen in the movies so much as a young kid

feisty women who chart their own course for reasons known only to them

donnettes  sister turned up too

she looked like donnette maybe not so tired

she kinda kept up a mostly good natured string of little jibes at me

i didn’t mind that much

it all seemed like a movie

my first american christmas

i’m in denver colorado

my record is in the charts here in the US

i’m staying in the suburbs of denver

its snowing and all that

sometimes i take a walk with her mother

she remains totally unimpressed by my stoned blather

its a thing i liked about her

we did lots of touristy things with the family

there was another half sister who only lived nocturnally

one did not see much of her

we went skiing we went to the hot water springs on freezing days

we hit the most authentic mexican places a lot

sometimes we would play some new board games at night

but the refreshments were there too

but the atmosphere was very relaxed and warm

it really was like being in a film

eventually of course

rightly or wrongly

i was compelled to return to australia

hex was done

i had no pretext whatsoever to tarry

the brief golden age of hex was already over

the first record represents that on every level

the second record represents hexes glorious fall

on every level

you can download either of these records now from this site

see details on the left about bandcamp

 

 

 

 

June’s arrived

Steve and Marty did a one-off last minute gig together in Sweden recently. This is them performing Comedown.

Steve and Marty did a one-off last minute gig together in Sweden recently. This is them performing Comedown.

Steve Kilbey news

Steve appears in film in the short film Comeback produced by Bernadette Keys. Join their Facebook page to find out more of what it’s all about! https://www.facebook.com/pages/Comeback-film/230149870436092 “One time teen idol Bobby Birdhouse has been living in obscurity since Funbury ’72 where he was booed off the stage in the midst of a crippling bout of stage fright. Many flashbacks later he is invited to headline at ‘Woodrock’ festival. Will Bobby get back in the game?”  

Steve appears in film in the short film Comeback produced by Bernadette Keys. Join their Facebook page to find out more of what it’s all about! https://www.facebook.com/pages/Comeback-film/230149870436092

“One time teen idol Bobby Birdhouse has been living in obscurity since Funbury ’72 where he was booed off the stage in the midst of a crippling bout of stage fright. Many flashbacks later he is invited to headline at ‘Woodrock’ festival. Will Bobby get back in the game?”

 

forget me knots

while i was in sweden i had a listen to forget yourself fuck what a good record! i never stopped to listen to it at the time but theres some great stuff on there i mean obviously we never make bad records although some we have made i really don’t care for but they were not bad records forget yourself is a fizzy electronic-y guitar-pedal kind of album i had just moved back to sydney and the ganja here was mind blowing at that time plus i had finally thrown off the last shackles of heroin and i was back on form again after a bit of a struggle it was recorded at tims old studio in glebe it was crammed with gadgets and equipment and stuff for some reason we had this engineer nick hard he didn’t really seem to understand exactly how we thought we were s’posed to be so forget yourself is a weird hybrid record its noisy bright and a bit digital pretty energetic tho for a bunch of old guys…eh? i mean we are not going gently into that good night…are we…? anyway i guess i never really understood what it was at the time but listening to it for the first time in ten years i was kinda impressed we put a lot of thought into what we do and we argue and carry on during the creative process sometimes i think everyone in the band goes out of his way to make each song special peter with his apollo approach to guitar marty with his dionysus approach to guitar tim was the walloping drums n guy who understood pro-tools i was the geeza who played bass and sang the songs we don’t like to write stale hackneyed showbiz stuff on this album it […]

Photo on 11-06-12 at 6.36 PM

while i was in sweden i had a listen to forget yourself

fuck what a good record!

i never stopped to listen to it at the time

but theres some great stuff on there

i mean obviously we never make bad records

although some we have made i really don’t care for

but they were not bad records

forget yourself is a fizzy electronic-y guitar-pedal kind of album

i had just moved back to sydney

and the ganja here was mind blowing at that time

plus i had finally thrown off the last shackles of heroin

and i was back on form again after a bit of a struggle

it was recorded at tims old studio in glebe

it was crammed with gadgets and equipment and stuff

for some reason we had this engineer nick hard

he didn’t really seem to understand

exactly how we thought we were s’posed to be

so forget yourself is a weird hybrid record

its noisy bright and a bit digital

pretty energetic tho for a bunch of old guys…eh?

i mean we are not going gently into that good night…are we…?

anyway i guess i never really understood what it was at the time

but listening to it for the first time in ten years i was kinda impressed

we put a lot of thought into what we do

and we argue and carry on during the creative process sometimes

i think everyone in the band goes out of his way to make each song special

peter with his apollo approach to guitar

marty with his dionysus approach to guitar

tim was the walloping drums n guy who understood pro-tools

i was the geeza who played bass and sang the songs

we don’t like to write stale hackneyed showbiz stuff

on this album it seemed our horizons suddenly exploded

especially compared to AENT..a very measured record indeed

this record reminds me of some of my paintings

lots of bright colours lots of naive joie de vivre

a sonic recklessness is afoot

after AENT and its tastefulness

FY comes unleashed fucked up squashed chopped up feeding back

a strong sense of some cartoon psychedelic trip

a sense of a rebellious looseness

i have come back to my full powers as a lyricist by now i guess

after some dodgier moments on the gear in the past

in fact at this moment i was on a roll

i wrote june and don’t you fall one night  about 5 minutes apart

despite the fact i was being hassled at the time by someone as i wrote em

it was a hassle-y period

lots of people dropped in

there were always someone hanging around

we went out n took long lunches and dinners

i usually turned up late n went home early

(tho i usually do that)

a lot of good songs from these sessions went on beside yourself

yeah thats a good record you should track down if you like this one

we recorded tons of songs

we went through a very productive streak writing wise

in fact it doesn’t seem possible the church could not write songs ever

we always come up with something

look we just muck around

we just fiddle about until a song starts to form

or we follow weird little strategies of writing

i said to peter one day

give me a chord progression any chord progression

on the spot he came up with the chords for sealine

its called sealine because it reminded us of i am the walrus (geddit?)

song in space sounds like some krautrock group from the seventies

i wrote june and don’t you fall on a bass guitar only

that hardly ever happens

nick hard and tim were doing stuff with the sound

was it meant to be like this ?    i used to wonder

now it doesn’t seem to matter

the record is a glorious accident

its got a couple of beautiful songs

june and maya for 2 at least

its got electro-euphorica e.g. reversal

its got a great slow dissolve ending in summer

which was the aural equivalent to being back in bondi beach

and its got some turbulent strident stuff

and its got some triply poppy stuff

hell you can’t go wrong with forget yourself

if someone else did it it probably woulda been huge

but the church were fated to be ignored for a while

even though we still made great music like this

if we aren’t the best band in this universe we’re not far-off

ie we have delivered interesting accomplished songs and music

for thirty 2 years now and we show no sign of getting soft

still too highly strung for our own good

eccentricity or just plain mad…?

thats the church

we will be back

eventually

 

 

 

 

 

the squalls and the warm calms

 

 

 

 

lily field

lily field at the edge of a forest scarlet asks me : daddy what is a gnome? a house in a tree the little grey men oh they fled their england so long ago foxglove and poppy violet and rose watercolour childhood left out in the rain south is the winter north is the summer at the edge of a forest we see lily field we see arboreal spirits who tend to their tree we see the ravens and castles and war for a crown we see the lake of forgetting we live the day of remembering we dream of a night and then it comes into being and the roots hammer deep under the oak and the river rushes pleasantly along a hundred years could pass this way it would seem in the end just one day lily field then in her patterns of june her aprons of april her man on the moon lily field where witch hazel lie where creepy bat and slow worm and trespasser die she stands at the edge of a forest decor of dew patiently waiting waiting for you   scarlet says : you should write the end  

Photo on 9-06-12 at 5.37 PM

she starts with s she ends with t (and she's lost 7 teeth)

lily field at the edge of a forest

scarlet asks me : daddy what is a gnome?

a house in a tree

the little grey men

oh they fled their england so long ago

foxglove and poppy

violet and rose

watercolour childhood left out in the rain

south is the winter

north is the summer

at the edge of a forest we see lily field

we see arboreal spirits who tend to their tree

we see the ravens and castles and war for a crown

we see the lake of forgetting

we live the day of remembering

we dream of a night and then it comes into being

and the roots hammer deep under the oak

and the river rushes pleasantly along

a hundred years could pass this way it would seem in the end

just one day

lily field then in her patterns of june

her aprons of april

her man on the moon

lily field where witch hazel lie

where creepy bat and slow worm and trespasser die

she stands at the edge of a forest decor of dew

patiently waiting waiting for you

 

scarlet says : you should write the end

 

hemmed/in-space

when the elastic throttle of equilibrium lifts you off into either ether and the whirring machine instruction increases peripherally in both ear something whispers secret instructions you never really hear at takeoff there is a stillpoint in moment of long refracted reflection in whistling shrieking cosmick winds a catapult shoots you into the sky a shot shoots through your systems using star energy so quiet and pure using star energy you silver between the streets in the sky in puddles on the moon behold futures unwritten Khartoum in solid space you shrink to nothing in solid time you are still travelling into tomorrow at lite years when your head explodes full of lithium absinth dead star wormwood pounds on in din a time stamp a machine gauges your etheric aura with pink painless implanted buds a sensor directs you to your next plasmic fix a ray alerts you as you approach terminal velocities a dial indicates an arcane antequarium a ratchet up the rounded numbers interlocking sequences concur sudden sickness of reaching 0 speed a communication from an outpost please identify yourself  do you read me? but by then you are far/gone already suffering space-lag the body crashes against the mind the spirit -driver impervious to all fire and ice enters brief sanctuary  

Photo on 7-06-12 at 9.14 PM #2

trans-ponder

when the elastic throttle of equilibrium lifts you off into either ether

and the whirring machine instruction increases peripherally

in both ear something whispers secret instructions you never really hear

at takeoff there is a stillpoint

in moment of long refracted reflection

in whistling shrieking cosmick winds

a catapult shoots you into the sky

a shot shoots through your systems

using star energy so quiet and pure

using star energy you silver between the streets in the sky

in puddles on the moon behold futures unwritten Khartoum

in solid space you shrink to nothing

in solid time you are still travelling into tomorrow at lite years

when your head explodes full of lithium absinth

dead star wormwood pounds on in din a time stamp

a machine gauges your etheric aura with pink painless implanted buds

a sensor directs you to your next plasmic fix

a ray alerts you as you approach terminal velocities

a dial indicates an arcane antequarium

a ratchet up the rounded numbers interlocking sequences concur

sudden sickness of reaching 0 speed

a communication from an outpost

please identify yourself 

do you read me?

but by then you are far/gone

already suffering space-lag

the body crashes against the mind

the spirit -driver impervious to all fire and ice

enters brief sanctuary