Newsletters August 2011
Future Past Perfect Tour Aust – first date announcement Newsletter 12th August 2011 Steve Kilbey art and music
new zealot
i just got home from new zealand my impressions physically new zealand is a gorgeous country it is quite unlike australia in its topography and its flora n fauna we started off in auckland which was last time my best place this time i have ricky and the hoffmen with me we have some guitar tuning issues but the gig is quite well attended the crowd are very kind and generous but my 12string tuning issue causes us to lose momentum and everyones a little bit disappointed wellington is an incredible little city its weird and cool and remote and all that not such a big crowd we play ok they dig it ok its ok our accommodation is very good tho’ next night is dunedin we fly there in a little prop plane… gee it makes me nervous tho…… dunedin is the smallest coolest city ever its got more rockstars coming from there than you can shake a stick at….. the gig is only moderately attended but the crowd and the band “go off” wow good on ya dunedin….. then we drive to christchurch i thought christchurch an austere place last time it seemed harder and sadder than the rest of nz this was just my narrow personal impression in 2007 after the earthquake the lovely people are showing resilience folks this place has been hit real hard and a lot of this town came down there are fucking broken buildings everywhere and rubble and cordoned off bits some scenes of desolation move me to tears i must say oh i feel for this city and its terrible battering anyway our gig was moved to a kinda awful venue in the suburbs it was completely unsuitable als bar where we were gonna play was still not earthquake damage […]
i just got home from new zealand
my impressions
physically new zealand is a gorgeous country
it is quite unlike australia in its topography and its flora n fauna
we started off in auckland which was last time my best place
this time i have ricky and the hoffmen with me
we have some guitar tuning issues but the gig is quite well attended
the crowd are very kind and generous
but my 12string tuning issue causes us to lose momentum
and everyones a little bit disappointed
wellington is an incredible little city
its weird and cool and remote and all that
not such a big crowd
we play ok they dig it ok
its ok
our accommodation is very good tho’
next night is dunedin
we fly there in a little prop plane…
gee it makes me nervous tho……
dunedin is the smallest coolest city ever
its got more rockstars coming from there
than you can shake a stick at…..
the gig is only moderately attended but the crowd and the band “go off”
wow good on ya dunedin…..
then we drive to christchurch
i thought christchurch an austere place last time
it seemed harder and sadder than the rest of nz
this was just my narrow personal impression in 2007
after the earthquake the lovely people are showing resilience
folks this place has been hit real hard and a lot of this town came down
there are fucking broken buildings everywhere and rubble and cordoned off bits
some scenes of desolation move me to tears i must say
oh i feel for this city and its terrible battering
anyway
our gig was moved to a kinda awful venue in the suburbs
it was completely unsuitable
als bar where we were gonna play was still not earthquake damage approved
the gig is not helped by the fact that our lovely promoter kurt
accidentally gets us lost on the way and we show up an hour late
an hour late on a sunday nite at 11 30
no dressing room
the lights stay on in the house all night (its horrible)
the people are very nice
but the gig never takes off
about halfway thru a bloke about my own age
and a decent looking enough geeza
tells me
ive been a fan for forty years but this is the worst thing ive ever seen…!
and walks out along with a few others
it was probably the worst gig of my life
i wanted to disappear i really did
the next day in napier was a totally different story
an incredible little sea side city
re-done after 1933 earthquake in art deco
the venue is fabulous
the manager is a fan …he used to sing electric lash…
we dont have a huge crowd
but fuck they like to rock
we let our hair down n we really play well
adrian n shaun hoffmann are just getting better n better
ricky can always turn it on
(in christchurch he kept saying
“i like this…its like we’re in a dream….”)
i’m good if conditions are in my favour
but i just cant fight the good fight no more
i dont wanna struggle in some place against all odds
i just wanna play to the converted…ok…?
i dont wanna try n win any body over now…
i had my days at the front
i really like kurt our promoter
i hate to see him losing money putting us on
and he does lose a bit….
the people in nz are very cool
they really are
they dont give a fuck about what anyone thinks or showbiz routines
they are real
you better be good if you want their applause
we had a good time
we sold some david neil records
we saw some amazing sights
we had some fucking laughs
we had a few arguments too
it was cold in some places but not too bad
and christchurch….the damage……
the spirit of its people however will prevail i believe
some protestant scottish stoicism…i dunno
ok thats it i guess
hi matt hi tony and ladies
hi rickys retinue of pretty girls
hi simon in dunedin ..you were very nice man
hi paul lightfinger how are you old son?
a lady in a cab in wellington didnt charge me cos i was lost
the lady in dunedin who gave me the flint
oh so many nice people
i dunno if i’ll be back on my own
maybe the church will finally come back
thats it!
bye
Future Past Perfect Tour Australia 2011: Brisbane Powerhouse
BRISBANE POWERHOUSE, THE CHURCH & UNORTHODOX RECORDS PRESENT THE CHURCH FRI 23 DEC 2011 the church will play at Brisbane Powerhouse this December on their Future Past Perfect tour, performing three classic albums in their entirety. the church’s 30th Anniversary year has taken the band all over Australia and the USA. In April the band played their A Psychedelic Symphony concert at a sold out Sydney Opera House with the 70-piece George Ellis Orchestra. To conclude these celebrations the band will perform an album from each decade of their existence – the critically acclaimed Untitled #23, perennial fan favourite Priest=Aura and the iconic Starfish. Suitable for ages 12+ http://www.brisbanepowerhouse.org/events/view/the-church/
BRISBANE POWERHOUSE, THE CHURCH & UNORTHODOX RECORDS PRESENT
THE CHURCH
FRI 23 DEC 2011
the church will play at Brisbane Powerhouse this December on their Future Past Perfect tour, performing three classic albums in their entirety.
the church’s 30th Anniversary year has taken the band all over Australia and the USA. In April the band played their A Psychedelic Symphony concert at a sold out Sydney Opera House with the 70-piece George Ellis Orchestra. To conclude these celebrations the band will perform an album from each decade of their existence – the critically acclaimed Untitled #23, perennial fan favourite Priest=Aura and the iconic Starfish.
Suitable for ages 12+
residual memorex
that hotel corridor the static electricity and the hair on your suit stands on end which door leads to that a hundred guitars you played as you playing the song over and over as you scream and glide through every tonight on the bus in the darkness the road sings not far from your head at the party a blonde held your hand who smelt of distant storm in houston on a rooftop as a lightning struck and you were running through a vineyard in the rain and it was summer in western australia and the rain was warm and you ate grapes with a roadie marvelling at their deliciousness and you were in some town in winter hurtling through ice to a gig and you were singing and signing and eating your lunch you were young and old you were going mad you were breaking down you were exhausted running along down a basement in asbury park playing in a bar afterwards in a huge lonely dark hotel it was quiet man the dips and the flips getting on a train to seattle all loaded on the track in vienna in a garden drinking orange juice in italy i rode on the back of some dusky girls vespa in london i sat in a cab glumly searching for smack in eden i was digging some cool snaky jazz on my apple man in paris nobody cared and nor did i i was on my own with this big big band i rocked and i rolled it was slow and fast bam bam boom boom i learnt my bass i heard the drum and go boom bam boom in time years later i playing in some big industrial town we got lost coming in an argument ensued when i got […]
that hotel corridor
the static electricity and the hair on your suit stands on end
which door leads to that
a hundred guitars you played
as you playing the song over and over
as you scream and glide through every tonight
on the bus in the darkness the road sings not far from your head
at the party a blonde held your hand who smelt of distant storm
in houston on a rooftop as a lightning struck
and you were running through a vineyard in the rain
and it was summer in western australia and the rain was warm
and you ate grapes with a roadie marvelling at their deliciousness
and you were in some town in winter hurtling through ice to a gig
and you were singing and signing and eating your lunch
you were young and old
you were going mad
you were breaking down
you were exhausted
running along
down a basement in asbury park playing in a bar
afterwards in a huge lonely dark hotel it was quiet
man the dips and the flips
getting on a train to seattle all loaded on the track
in vienna in a garden drinking orange juice
in italy i rode on the back of some dusky girls vespa
in london i sat in a cab glumly searching for smack
in eden i was digging some cool snaky jazz on my apple man
in paris nobody cared and nor did i
i was on my own with this big big band
i rocked and i rolled it was slow and fast
bam bam boom boom i learnt my bass
i heard the drum and go boom bam boom in time
years later i playing in some big industrial town
we got lost coming in an argument ensued
when i got to the gig i had eaten some hash
i guess someone gave it to me in spain
or maybe amsterdam i was down in this lane
and in hamburg the guy on the desk said what do you need
he opened his coat he had everything
but the lights were too bright
the musics so loud
im drowning in crowd
im going under
i wave my arms
its alright
its showbiz
you gotta keep your eye on the prize
dont ya?
Steve Kilbey & Ricky Maymi Lizotte’s dates
Aussies, this is your last chance to see Steve and Ricky’s Wilderness Years shows on their return from NZ. Dates as listed below. Tickets are available from Lizotte’s Friday 5th August – Lizotte’s Central Coast Saturday 6th August – Lizotte’s Dee Why Sunday 7th August – Lizotte’s Newcastle Support is Big Smoky
Aussies, this is your last chance to see Steve and Ricky’s Wilderness Years shows on their return from NZ. Dates as listed below. Tickets are available from Lizotte’s
Friday 5th August – Lizotte’s Central Coast
Saturday 6th August – Lizotte’s Dee Why
Sunday 7th August – Lizotte’s Newcastle
Support is Big Smoky
2 good things
1 the commissioned song idea with martin kennedy is going exactly to plan martin is a prolific composer knocking out instrumental music all his music has that sound he has that makes him unique he does simple elegant music with the implication of spacious luxury hes got his modus operandi and hes quietly confidant that it will reveal results the music he brought to our saturday session was exactly as i imagined everything working with an arithmetic feeling like a sleek machine so fucking inspiring and easy to work with everything where i expect it to be for singing over hes already written most of the 13 pieces so far commissioned the lyrics could be the tricky bit so far we have done subjects i never envisaged 1 was a type of inspiring spiritual song 2 was a sad but uplifting song for a guy in germany who lost a dear relative 3 was a fathers 60th birthday 4 was for a pair of cats 5 was for a sister from another sister 6 was for a pair of cats 7 was for 2 children from a parent at first glance this seems like a tough list i did have a few crises of faith but in the end i felt confidant that every song stood on its own even if you didnt know anything at all the reasons for its existence many great artists and musicians have been commissioned i see no shame in it in any respect kennedy and i are pretty good at what we do we never make garish gaudy noisy discordant ugly rackets we do austerity and ambience and atmospherica for a relatively small sum of money we offer you our services we are artisans and we bring love and pride to our work we […]
1 the commissioned song idea with martin kennedy is going exactly to plan
martin is a prolific composer knocking out instrumental music
all his music has that sound he has that makes him unique
he does simple elegant music with the implication of spacious luxury
hes got his modus operandi
and hes quietly confidant that it will reveal results
the music he brought to our saturday session was exactly as i imagined
everything working with an arithmetic feeling like a sleek machine
so fucking inspiring and easy to work with
everything where i expect it to be for singing over
hes already written most of the 13 pieces so far commissioned
the lyrics could be the tricky bit
so far we have done subjects i never envisaged
1 was a type of inspiring spiritual song
2 was a sad but uplifting song for a guy in germany who lost a dear relative
3 was a fathers 60th birthday
4 was for a pair of cats
5 was for a sister from another sister
6 was for a pair of cats
7 was for 2 children from a parent
at first glance this seems like a tough list
i did have a few crises of faith
but in the end i felt confidant that every song stood on its own
even if you didnt know anything at all the reasons for its existence
many great artists and musicians have been commissioned
i see no shame in it in any respect
kennedy and i are pretty good at what we do
we never make garish gaudy noisy discordant ugly rackets
we do austerity and ambience and atmospherica
for a relatively small sum of money we offer you our services
we are artisans and we bring love and pride to our work
we guarantee it will be top shelf …..that should be understood
if you like what we did on our 2 records
i assure you that your song will be in that league
imagine having your very own song that actually is cool
i am hoping martin will be putting up snippets soon
maybe you think im bullshitting you
ok yes
it was an experiment in the beginning
but now i am so sure we can deliver on our promise
let us write a song for you
2 now have the completed isidore record in my possession
its called “life somewhere else”
jeffrey has outdone himself as per usual
existing almost as a polar opposite of martin kennedy
cains music is twisting bursting sometimes baroque or rococo or somethin’
fuck what a champion record we have done here caino
talk about pulling out all the stops
huge areas pull into focus and narrow down hard
things zoom out and youre free
things get weird and just hang there
in the middle in record are two weird songs
its a kind of modernist psychedelica
in the background another universe often threatens to break through
voices sounds fragments snatches of conversations
and unidentifiable electric sounds busy fizzing and popping
and falling past like white comets leaving trails of tinkly bits
the chord progressions in some songs would do neil finn proud
you know like those ones the beatles did which blew yer mind
melody and strangeness exist in equal amounts
caino takes anything from anywhere
traditional 3/4s to stomping electro glitter
and sad songs and thoughtful songs
and songs that are beautiful but not much else
my lyrics and my singing are good
i think they are more than good but i’ll let you deicide
more info on that coming soon you freaks who really need to get that
if you liked the first this one is like that only more wigged out
its a real good record with real good songs
i am lucky to work with all these wonderful collaborators over the years
each of them gifted in their own unique and special ways
i could just do everything on my own
in fact soon i am going to do a few records on my own
but here are the excellent results of collaborations
and it makes me happy to have done this stuff
i believe my listeners will be most(ly) impressed
exterior shot inside
my oh my the time overtaken me i walk down this corridor but no one to awaken me i walk down this hallway the daylight hath forsaken me my nineteen daughters look like their mothers standing at a ceremony in a quiet suburban afternoon i have taken leave of my sense of absence when are you here but not here….? now i see them more and more though only fleetingly i hear their voices in the murmur of my head i temper folly with more folly and still more to come i am alive in the most twilit glade i am living in the twisted wirelike tendrils that probe your innermost gardens and in the hastily assembled data that proves some nebulous thing i sang about this on narcosis plus and lo not one paid heed i sang about this on remindlessness and behold not an ear was prick so i am here alone….. surely the quarantine is over my fingers writhe to finish it my limbs ache so do my wings we are playing for laughs now my friends yeah and the feeling that music could always manifest somehow the sky is a lonely place lonelier than minus seven who could dwell there long….? think of me instead as if you had seen me in your mirror think of me as if you had never thought of me before think of me when you see a mist rising after the rain and if you see your dearest love beyond a wall of fire i can change all of this but i wont we abide by the physical rules until no longer applicable when we escape velocity itself so fast we are at a standstill when white suddenly is black and on suddenly off the hidden great underlying cause is […]
my oh my the time overtaken me
i walk down this corridor but no one to awaken me
i walk down this hallway
the daylight hath forsaken me
my nineteen daughters look like their mothers
standing at a ceremony in a quiet suburban afternoon
i have taken leave of my sense of absence
when are you here but not here….?
now i see them more and more though only fleetingly
i hear their voices in the murmur of my head
i temper folly with more folly
and still more to come
i am alive in the most twilit glade
i am living
in the twisted wirelike tendrils that probe your innermost gardens
and in the hastily assembled data that proves some nebulous thing
i sang about this on narcosis plus and lo not one paid heed
i sang about this on remindlessness and behold not an ear was prick
so i am here alone….. surely the quarantine is over
my fingers writhe to finish it
my limbs ache so do my wings
we are playing for laughs now my friends
yeah and the feeling that music could always manifest somehow
the sky is a lonely place
lonelier than minus seven
who could dwell there long….?
think of me instead as if you had seen me in your mirror
think of me as if you had never thought of me before
think of me when you see a mist rising after the rain
and if you see your dearest love
beyond a wall of fire
i can change all of this but i wont
we abide by the physical rules until no longer applicable
when we escape velocity itself so fast we are at a standstill
when white suddenly is black
and on suddenly off
the hidden great underlying cause is revealed
in no uncertain nor certain terms
but even as i type it out seduced by futility
why anyone can see that english language aint what it used to be
i slip off quietly and no one has noticed
i found the door open
i simply stepped outside
rose ate a stone
i never learn muse : he never learns my trusty cupboard is all empty my ashtray gone astray thats australia for you thats the world with its molten interior thats how birds fly i guess….all them feathers….. dont want to be rich but i wouldnt mind the money i’d buy some decent friends with integrity i cannot imagine death for the life of me the fire engines rush about in the rain the rain not playing by northern hemisphere it enters from left and right and straight on not just above who then is this? the archetype of the clown who cries in the rain so his tears unseen i let sydney drown in its storm i could could help it no longer it slipped from my grasp i only held onto it by an inch all those skyscraping mirrored towers that stick thru the grey come crashing around a million naked strangers flung from their uprooted hotels the fish and the frogs were a’falling thru that air my hook into the mainframe my lance unto these conundrums and foibles my hammer upon the swiftest bolt my steed ridden sandalwood my steed ridden snow in a haphazard way in crookedness follow well i incubate anger in every thought and every deed like this storm the monstrous waves are mine i hurl them towards the great gates at the palace i sent those tentacles groping out of the surf your mother earth your father time your sister a moon who fell out of a sea branches crash down in the park bark and splinter and crack i’m not rushing into delay urgent hesitation the palms amuse me lashed by the storm as they are they seem to dance egyptian in the deluge waving their bloody great fronds about i let sydney […]
i never learn
muse : he never learns
my trusty cupboard is all empty
my ashtray gone astray
thats australia for you
thats the world with its molten interior
thats how birds fly i guess….all them feathers…..
dont want to be rich but i wouldnt mind the money
i’d buy some decent friends with integrity
i cannot imagine death for the life of me
the fire engines rush about in the rain
the rain not playing by northern hemisphere
it enters from left and right and straight on not just above
who then is this?
the archetype of the clown who cries in the rain so his tears unseen
i let sydney drown in its storm
i could could help it no longer
it slipped from my grasp
i only held onto it by an inch
all those skyscraping mirrored towers that stick thru the grey
come crashing around
a million naked strangers flung from their uprooted hotels
the fish and the frogs were a’falling thru that air
my hook into the mainframe
my lance unto these conundrums and foibles
my hammer upon the swiftest bolt
my steed ridden sandalwood my steed ridden snow
in a haphazard way in crookedness follow
well i incubate anger in every thought
and every deed like this storm
the monstrous waves are mine
i hurl them towards the great gates at the palace
i sent those tentacles groping out of the surf
your mother earth
your father time
your sister a moon who fell out of a sea
branches crash down in the park
bark and splinter and crack
i’m not rushing into delay
urgent hesitation
the palms amuse me lashed by the storm as they are
they seem to dance egyptian in the deluge
waving their bloody great fronds about
i let sydney drown to save myself
i warm myself on the flames of a civilisation gone up
i run away down the teaming parades
where the white lady waited for me
presiding over winters in july that went on
like an evangelist inside his head
and more true than not
these then are the days which have escaped
HOMEBAKE Music, Film & Arts Festival 2011 – The Classic Edition!
the church will be performing at Homebake in Sydney’s historic Domain, Royal Botanic Garden on Saturday the 3rd of December 2011. Tickets go on sale on 15th August at 9am sharp at Ticketek and Oztix outlets. Info here. Entry is 18 + only Other artists at Homebake include – The Triffids, Icehouse, Grinderman, The Vines, Gotye, Pnau and many others – see the line-up here . http://www.homebake.com/
the church will be performing at Homebake in Sydney’s historic Domain, Royal Botanic Garden on Saturday the 3rd of December 2011.
Tickets go on sale on 15th August at 9am sharp at Ticketek and Oztix outlets. Info here.
Entry is 18 + only
Other artists at Homebake include – The Triffids, Icehouse, Grinderman, The Vines, Gotye, Pnau and many others – see the line-up here .