on the first day of spring i ran to your door
with a bunch of small blue petunias
and wearing my heart on my steve
no one was home
so i sat and waited on your blonde brick wall
as mushrooms pushed ever upwards in the sienna brown earth
oh lovely victoria
ghost gums and spirit walker
in tiny toy-like towns boys like me
in corduroy breeches and woolly heads
little mists in the graveyards
or standing in the sweet shop
“i’ll have threepence worth of those
and…how many do you get of these for a ha’penny?”
dad starts up his valiant
mum hangs out the washing
in the windy blue garden
i bury my soldiers like robert louis stevenson did
and later i still find them
cheerful despite their time in the ground
at the back fence the trains run
everynow and then
a rush of metal a snort of smoke
i’m singing that song, you know the one
“i could never love you
the price of loves too dear
but darling i’ll stay with you
and give to you one year
and we’ll sing in the sunshine
we’ll laugh everyday
we’ll sing in the sunshine
then i’ll be on my way”
how sad that the woman has made up her mind to leave
how quickly that year will pass
as her anxious man watches the calendar inevitable shrink down
will she make it exactly one year…?
or roughly one year…?
will he be able to convince her
to stay a few extra months
or will she depart earlier than expected
due to his downturn in mood
and his sulky unacceptance….?
i stand in the backyard singing this song
trying to imagine her
quietly packing her bags
folding her stockings and her brassieres
and her petticoats and her knickers
collecting her lipstick and nivea cream
and her photos and her little record player
she jumps on the train that goes thru my backyard
and for a moment
we lock eyes
the fleeing singer
and me
the sentient boy
the boy still singing her song
even though the year is well and truly over
and what was young is now old
and the fire that had burnt now cold
and her train takes her away
to towns i’ve only heard of
lying on the mysterious river miles away
the song makes me sad
and that makes me happy
love must be an important thing in peoples lives
i think of 2 other songs
“anyone who had a heart
would look at me
and know that i love you”
and
“if our love ceases to be
then its the end of my world for me”
women sang these songs
women with powerful voices
love was giving their voices wings
why their love was obvious to anyone
anyone who had a heart
did i have a heart i wondered
would i recognize her love for her man if i saw it?
when a world ceases to be…is that the loneliness?
the emptiness….?
frank sinatra sang
“spring is here…
why doesnt the sky delight me
why doesnt the breeze invite me
maybe its because nobody loves me…
spring is here….i hear”
spring …..
frank sits in the 1950s
trapped there forever
while nelson riddles orchestra
decorates his loneliness
with flurries of flutes
and lugubrious cellos
all this love
and only loneliness
was weighing down on my boylike soul
ha ha
i was young
i was wandering the streets of our town
riding my bike round the empty school
as the evening slowly descended
mums voice in the distance calling
steve-n…?
steve-n…?
in the semi dark
all those songs were holding me back
all that love gone bad
all the lonely people
what becomes of the broken hearted
beneath the veneer of our town
was a legion of hurt and lonesome lovers
unable to make a move
or ever recover
like a silent disease incapacitating people
robbing them of their worlds
filling them up with emptiness
i wondered why…?
who were these cruel ones…?
the ones who left
the ones on the train
the ones discovering new charms in somebody elses arms
“i met someone new” they sing in songs over and over
new
new
not old like you
always someone hovering on the perimeter of life
“he’ll never love you….the way i love you!”
they sang
but still someone new
(someone knew)
that someone is always there
to bring your song to an end
the train goes roaring by again
deep in the night
while i, a boy, lies in bed
the jilted and jilting lovers come and go
red brake lights blur on my frosted window
but i sleep on and on
dream of life
dream of love
dream of being grown up
singing my own song of spring
even as i enter winter
for the last time
underground spring
on the first day of spring i ran to your doorwith a bunch of small blue petuniasand wearing my heart on my steveno one was homeso i sat and waited on your blonde brick wallas mushrooms pushed ever upwards in the sienna brown earthoh lovely victoriaghost gums and spirit walkerin tiny toy-like towns boys like mein corduroy breeches and woolly headslittle mists in the graveyardsor standing in the sweet shop“i’ll have threepence worth of thoseand…how many do you get of these for a ha’penny?”dad starts up his valiant mum hangs out the washing in the windy blue gardeni bury my soldiers like robert louis stevenson didand later i still find themcheerful despite their time in the groundat the back fence the trains runeverynow and thena rush of metal a snort of smokei’m singing that song, you know the one“i could never love youthe price of loves too dearbut darling i’ll stay with youand give to you one yearand we’ll sing in the sunshinewe’ll laugh everydaywe’ll sing in the sunshinethen i’ll be on my way”how sad that the woman has made up her mind to leavehow quickly that year will passas her anxious man watches the calendar inevitable shrink downwill she make it exactly one year…?or roughly one year…?will he be able to convince herto stay a few extra monthsor will she depart earlier than expecteddue to his downturn in moodand his sulky unacceptance….?i stand in the backyard singing this songtrying to imagine herquietly packing her bagsfolding her stockings and her brassieres and her petticoats and her knickerscollecting her lipstick and nivea creamand her photos and her little record playershe jumps on the train that goes thru my backyardand for a moment we lock eyesthe fleeing singerand methe sentient boythe boy still singing her songeven though the year is well and […]
her kiss is the whip of the moon
early morning rainthe days possibilities rush out ahead of medavid duchow who you may or may not knowhas sent me a video for every track on painkilleri downloaded them last nite while i slepti have already seen” not what you say”an epic track which changes and ebbs n flowsfinally ending up in a quagmire of marine ambienceit goes for thirty minutes….davids videos for my/our songs are on you tubeonce you have seen one of dd’s vidstheres no mistaking themin mirror images of naturedavid locates an incredible symmetrygods and devils appearhindu deities hidden in the patterns of a trees rootsthe images merge slowly into each otherthey dissolveproducing more illusions and half-sightingsthey are brilliant because david harnesses natureand uses it to produce images with staggering architectureon” not what you say”i feel like im inside the brain of a dying manas his mind throws up random images of his liferooms in hotels turn red and bulging holes appearkilbey appears via his selfportraitsand disintegrates into a blue lakescenes from a childhood move across the screenand finally we driftover an oceanic deserti will be viewing the other ten vids after writing this blogwe will be projecting dds vids at the painkiller gig10 sept sydney-townethe only gigwith very special guestsanywayhats off to ddin his remote canadian wildernesscarrying on the good fucking fight of art for arts sakeand producing visuals that are so appropriate for my stuff(they allow much intepretation!)plans could be afoot to make a visual version of pkiller availableand theni’d like to get polinski to remix it for surround soundi cannot imagine anything more fucking trippythan turning up painkiller real loudand watching it on a big screenwhile all the radiotronics swirl round the roomi dont have a system like that(i got no system just a little tv)but if i didi would love to see thatsuperb […]
early morning rain
the days possibilities rush out ahead of me
david duchow
who you may or may not know
has sent me a video for every track on painkiller
i downloaded them last nite while i slept
i have already seen” not what you say”
an epic track which changes and ebbs n flows
finally ending up in a quagmire of marine ambience
it goes for thirty minutes….
davids videos for my/our songs are on you tube
once you have seen one of dd’s vids
theres no mistaking them
in mirror images of nature
david locates an incredible symmetry
gods and devils appear
hindu deities hidden in the patterns of a trees roots
the images merge slowly into each other
they dissolve
producing more illusions and half-sightings
they are brilliant because david harnesses nature
and uses it to produce images with staggering architecture
on” not what you say”
i feel like im inside the brain of a dying man
as his mind throws up random images of his life
rooms in hotels turn red and bulging holes appear
kilbey appears via his selfportraits
and disintegrates into a blue lake
scenes from a childhood move across the screen
and finally we drift
over an oceanic desert
i will be viewing the other ten vids after writing this blog
we will be projecting dds vids at the painkiller gig
10 sept sydney-towne
the only gig
with very special guests
anyway
hats off to dd
in his remote canadian wilderness
carrying on the good fucking fight of art for arts sake
and producing visuals that are so appropriate for my stuff
(they allow much intepretation!)
plans could be afoot to make a visual version of pkiller available
and then
i’d like to get polinski to remix it for surround sound
i cannot imagine anything more fucking trippy
than turning up painkiller real loud
and watching it on a big screen
while all the radiotronics swirl round the room
i dont have a system like that
(i got no system just a little tv)
but if i did
i would love to see that
superb stuff!
bassed on a true storey
the new bass is fretlessi never really played a fretless beforegee its 1980we feel like we’re living on the very edge of the future1980…gary numan and everything…this means nothing to me oh viennaand i gotta new bassno its not a fender but its an ibanezi couldnt afford a fucking fenderplus i wouldnae have probably known the differenceanyway on a complete fucking whimive bought this fretless basstraded in my ibanez les paul bass copy with the red stringsyou see folkssome instruments like guitars n pianoswell you know where the notes areothers like trombones n violinsyou just have to feeltheres no markings or notchesthe double bass is like that tooi bought a black fretless bassand i stuck some wallpaper on it of a naked ladyeverybody says its stupid for a singer to play a fretlessbut there you goi wanted to make it harder for myself, didnt ii bet i played millions of notes that were slightly out tooflat or sharp just slightlyoh boy i loved to slide around on it thoughif you plucked a noteand moved yer finger up or downthere was a smooth continuity of notesnot a rattle rattle rattle as your finger passed over the fretsi can sing and play at the same timei can sing and play complicated bits toonot just boom boom boomi sing all these wordsat the same time my fingers slide about my fretlesshow did i do it?i dunnostrapping on a bass feels like putting on my comfy slipperseven stoned or tripping or legless drunklook at mei can still play bass and singwe’re making an album up in a real studioi am in constant conflict with everyonei have to fight and fight and fightnot to be made 1980s over n overno matter what it saysi produced that first albummy tricksmy ideasmy overdubsall my 4 years on […]
the new bass is fretless
i never really played a fretless before
gee its 1980
we feel like we’re living on the very edge of the future
1980…gary numan and everything…
this means nothing to me oh vienna
and i gotta new bass
no its not a fender but its an ibanez
i couldnt afford a fucking fender
plus i wouldnae have probably known the difference
anyway
on a complete fucking whim
ive bought this fretless bass
traded in my ibanez les paul bass copy with the red strings
you see folks
some instruments like guitars n pianos
well you know where the notes are
others like trombones n violins
you just have to feel
theres no markings or notches
the double bass is like that too
i bought a black fretless bass
and i stuck some wallpaper on it of a naked lady
everybody says its stupid for a singer to play a fretless
but there you go
i wanted to make it harder for myself, didnt i
i bet i played millions of notes that were slightly out too
flat or sharp just slightly
oh boy i loved to slide around on it though
if you plucked a note
and moved yer finger up or down
there was a smooth continuity of notes
not a rattle rattle rattle as your finger passed over the frets
i can sing and play at the same time
i can sing and play complicated bits too
not just boom boom boom
i sing all these words
at the same time
my fingers slide about my fretless
how did i do it?
i dunno
strapping on a bass
feels like putting on my comfy slippers
even stoned or tripping or legless drunk
look at me
i can still play bass and sing
we’re making an album up in a real studio
i am in constant conflict with everyone
i have to fight and fight and fight
not to be made 1980s over n over
no matter what it says
i produced that first album
my tricks
my ideas
my overdubs
all my 4 years on 4 track went into it
to maintain purity i needs must offend every bastard i work with
the engineers who dont understand how the church should sound
the producer all puffed up on his own self
the other guys in the band
all for different reasons
peter k n i have always argued
ever since we met
he n i arguing
we go fishing together as teenagers
we argued all the way there
all the way home
and even while we were catching fish
so now we’re back together again in the church
and we still argue
but one thing
when we argue
we normally get over it and back to normal quick
not like young mwp whose joined
i seem to upset him and he doesnt talk to me for a week
nick ward is hounding everybody
he is making this
my first record ever
into hell
picking on my words
picking on my singing
most of all
telling me what a rotten bassist i am
how i dont understand anything etc
i had fucking written a hundred great new songs
and all this idiot could do was whine
you see
none of them
except me
really knew what this all could be
dont get me wrong here
peter was already an accomplished and innovative player
but i had to fight to keep it all the way it was sposed to be
i didnt win that fight completely
you can hear that on that first record
the eighties had their way and intruded all over that
i rectified that on the blurred crusade
no more chuggalug guitars
we stopped being a cartoon n became a band
but on the first record
i was struggling with ole mr zeitgeist
and i was a dim visionary
trying to get the others to just trust it
and go with it
but you know
they gotta question everything in heaven n hell
why kilbey why?
dont ask…i cant explain
just fucking do it!
but i dont see why.. i dont understand…
ok dont understand it
just fucking do it like i asked
but i was tiptoeing round everyones ego
one day
walking in town
i went in a music shop
and discovered a brand new roland vocoder
it was a big hefty keyboard
it had these synthetic voice sounds on it
no one had used them yet
and i fell in love
and put it all over the next 4 records
the first time you’ll hear it is on
is this where you live
like the drone of a hundred synthetic monks
its all over blurred crusade
in almost every song
i figured out a lovely way the female voices
could shadow guitar lines
i brought this technique to fruition
on the instrumental remote luxury
hear the female vox with the guitar line
i was so cocky about my lyrics
jesus christ
when was the last time you heard an album start with
in the empty place the soul stripped bare…..?
you know
go back to 1980
and check out who was writing stuff like that
and all the chords in that song
including a few doozies i never used again
i never cared for unguarded moment that much
its ok i guess
i got no comment on it
other than every other person that heard it went nuts
and said
thats a hit
yeah im grateful to it i guess
i hear 3 bands in australia did a version each
and toured around with that as some common focus
so be it!
what i came up with almost thirty years ago
still has enough mojo left in it
for a buncha youngsters to still get off on it
god blessem
what i do lasts
yes
you will still be listening to painkiller in twenty years
one does not outgrow my stuff
it comes with a guarantee to suit all times n climes
the songs are eternal
they are not about youth or old age
they are pieces
fractions
merely tiny bits in the puzzle
clues
to people who were interested
my lyrics were pop lyrics granted
that was my canvas
the cartoon world of pop
it was 1980
c’mon!
stay put
meanwhile back in canberra acti have finally learned to play the bassi steal my mothers triumph herald and go off drivingi pick up some girls and give them a liftwe go round their house where their mummy is outand i’m kissing them boththe year is 1973i’m a lanky skinny devil with frecklesand long bloody hairi already wrote bel air the other nightand i travelled in the astral above this townpeering and leering down at all the carryings oni walk thru walls i appear in the halli take long lonely drives into canberras ample hinterlandand i walk beneath the pines on mt stromloi sold my violin bassand now i have a burns baldwin a big hollow bodied stupid thingi play with a schlocky cabaret bandand i earn good moneywe drive down the coast and play at some places down thereduring the drivethe rain is so furiousand the ford anglia we are driving inhas non functioni windscreen wipersso hugh jumps outwith a potato cut in halfand rubs it all over the windscreenthe stuff in the potato is supposed to repel the waterthis might be a good trick in old blightys drizzlebut up the top of the clyde mountainin a summertime galevisibility remains close to zerowe stay in some dreary motelwe play at night in the clubs n barscranking out the same old tripelistening to the singer cracking the same old gagswe had the music all written out in chordsand we’d just play alongthe singers voice was quite pleasantand we got paid welli got timeto think about the music i was playingwhy it workedand why it didntduring the long grey daysi wandered the coaststopping in to tiny towns and having a milkshakeor drifting on lonely rivers at duskeverything was overloaded with significance then as now as always as usualeach twig on every treeeach […]
meanwhile back in canberra act
i have finally learned to play the bass
i steal my mothers triumph herald and go off driving
i pick up some girls and give them a lift
we go round their house where their mummy is out
and i’m kissing them both
the year is 1973
i’m a lanky skinny devil with freckles
and long bloody hair
i already wrote bel air the other night
and i travelled in the astral above this town
peering and leering down at all the carryings on
i walk thru walls
i appear in the hall
i take long lonely drives into canberras ample hinterland
and i walk beneath the pines on mt stromlo
i sold my violin bass
and now i have a burns baldwin
a big hollow bodied stupid thing
i play with a schlocky cabaret band
and i earn good money
we drive down the coast and play at some places down there
during the drive
the rain is so furious
and the ford anglia we are driving in
has non functioni windscreen wipers
so hugh jumps out
with a potato cut in half
and rubs it all over the windscreen
the stuff in the potato is supposed to repel the water
this might be a good trick in old blightys drizzle
but up the top of the clyde mountain
in a summertime gale
visibility remains close to zero
we stay in some dreary motel
we play at night in the clubs n bars
cranking out the same old tripe
listening to the singer cracking the same old gags
we had the music all written out in chords
and we’d just play along
the singers voice was quite pleasant
and we got paid well
i got time
to think about the music i was playing
why it worked
and
why it didnt
during the long grey days
i wandered the coast
stopping in to tiny towns and having a milkshake
or drifting on lonely rivers at dusk
everything was overloaded with significance
then as now as always as usual
each twig on every tree
each stick of grass
each shadow of a nest
each empty bottle on the side of the road
each sunset in pinkish clouds
each sickle moon cleaving through the oceanic fogs
each person i see
i imagine/intuit/daydream their story
its all falling in on me at once
i talk too much so i spend most time alone
girls are attracted by my looks
but my chattering reveals me as an idiot
strangely enough
i cant play the guitar at all
only the bass
i sometimes find myself somewhere
round a campfire
or at a party
someone thrusts their nylon string yamaha geetar in my hands
and says
oh kilbo can play
hes in a band you know…
but ha ha
im left holding the baby
when i can do nothing at all
i have strange genuine psychic adventures
for example
once an entire room full of people froze
but only i could see it
for a few split seconds
and then…
but only me
only i saw it
the guy playing the organ in the group
is what was called in those days a sex maniac
it was all he ever talked of
or made jokes about
he was only 23
he seemed a hundred to me
such was the gulf that separated me from the others
he also knew obscene phrases
in other languages
which we would liberally sprinkle the show with
gee i’m sure it was really funny too
i drink scotch n coke sometimes and smoke cigs
i play poker machines
and buy magazines with pictures of naked women
i drink vanilla milkshakes and i eat 50 cents worth of chips
i listen to the radio
i watch english comedy shows on a tv with 2 bnw channels
i tend to my 3 pimples
i spend much time looking at myself in the mirror
i can already see the wrinkles and bags forming on my face
my teeth are already an off-white
my hair not as thick n lustrous as i hoped
i want to be someone else
some composite palooka
everynight
carrying my fucking great big amp up some stairs
getting told to always turn down
standing in the background
plunking away on
a stupid song
boom boom boom
mysticon
q : why are we on this earth ?a : love is what we came here for i sit in my room practicing on my bass guitarthe first night i got it homei just sat there looking at itmy kind n lovely olde dad has bought it for meoh i had to nag nag nagged em for a bass guitarbass guitar was driving me out of my mindi listened to records i could hear this thing underneath it allwhen it suddenly ran up into the high registers i got really excitedi sit down cross legged on the floorits raining outsidei’m trying to play somethinglooki’m getting nowhere….i pick it up and play with itbut it might as well be a novel in chinese for all the good it doesplonk plonk plonki bore myself as i pluck the stringsi dont know nothing at alli’m sitting therewhen a spirit appears in my roomjesus i’m scaredthe spirit materialises somewhatlike an olde man he takes the bass from meplay it like this he sayshis fingers glide over my cheap aria violin basshe slurs slides taps fondles tickles pulls beats slaps itthe low end throbsthe middle pulsatesthe high singshe hands it back to meplunk plonk…no …nothingagain the spirit plays a cool runand theni try againno nothinglet me in says the apparitionlet me guide your handsthis is all trueall i need is your complicityhe saidwell yesi wanted to play like thati wanted to be on those intimate terms with my bassi wanted my fingers to glide o’er the strings like a cool breezei wanted to get to the bottom of all musici wanted to make all the good bits shakei wanted to dive deeperi wanted to be able to …….i didnt know what it exactly was i wantedbut i didnt want to wait that long to find […]
q : why are we on this earth ?
a : love is what we came here for
i sit in my room practicing on my bass guitar
the first night i got it home
i just sat there looking at it
my kind n lovely olde dad has bought it for me
oh i had to nag nag nagged em for a bass guitar
bass guitar was driving me out of my mind
i listened to records i could hear this thing underneath it all
when it suddenly ran up into the high registers
i got really excited
i sit down cross legged on the floor
its raining outside
i’m trying to play something
look
i’m getting nowhere….
i pick it up and play with it
but it might as well be a novel in chinese for all the good it does
plonk plonk plonk
i bore myself as i pluck the strings
i dont know nothing at all
i’m sitting there
when a spirit appears in my room
jesus i’m scared
the spirit materialises somewhat
like an olde man
he takes the bass from me
play it like this he says
his fingers glide over my cheap aria violin bass
he slurs slides taps fondles tickles pulls beats slaps it
the low end throbs
the middle pulsates
the high sings
he hands it back to me
plunk plonk…no …nothing
again the spirit plays a cool run
and then
i try again
no nothing
let me in says the apparition
let me guide your hands
this is all true
all i need is your complicity
he said
well yes
i wanted to play like that
i wanted to be on those intimate terms with my bass
i wanted my fingers to glide o’er the strings like a cool breeze
i wanted to get to the bottom of all music
i wanted to make all the good bits shake
i wanted to dive deeper
i wanted to be able to …….
i didnt know what it exactly was i wanted
but i didnt want to wait that long to find out..
the spirit played a few more phrases
his fingers were a blur of movement
oh it was so much better than a lead guitar
my bass was talking to me
crooning me spells under the spirits vague fingering
singing a song of distant india where i once lived
or a rainy night in a little beach shack
where me n aurora are sitting in the candle light talking
who is aurora?
aurora your gentlest childe
now grown up
she comes to visit you in your shack
by the sea
where you paint paint paint
the rest of your life away
trying to paint the mystery of death while youre still alive
so this is my aurora
she was the…
she was the roamin’ goddess of the dawn
sings the strings in my heart
aurora what you doing here? i ask
the bass takes my phrase
takes it and plays it back to me as music
au-ror-a…whatchoo dooing here…
the spirit ceased to pluck on my bass
and as the final notes faded
i became aware of the insistent rain falling on canberra
i thought of my girlfriend lying in her room full of sisters
i thought about the kids at school all sleeping in their beds
or doing homework in the light of a lamp
or watching the black n white shadows of tv
the spirit asked
do you want this?
yes i want it i said and we merged
the spirit inside me felt quite comfortable
we seemed to overlap in some respects
this was all true
did you ever believe me until…
the only real problem was me just turned sweet sixteen
and the spirit was an old olde man in his fifties or sixties
and you know
he had his appetites…
he marched me out of the house
we collected 14 dollars and 85 cents that dad had left
on the telephone table
and we walked down the road to the rex
inside the rex
the spirit marched me up to the bar
give me a shot of vermouth! i said
though i had no idea what that might actually be
aint you a little young to be drinking , son?
i grabbed the bartender
and i pulled him to me
i said
i said a shot of vermouth , sunshine…!
he returned with my drink
i paid him n told him to piss off
some cabaret band were playing
the bass player was a hopeless clumsy sausage fingered fool
against my will
i walked to the little stage
i grabbed the bass off the clown
i thrust him aside
and brandished a fist
when he tried to squabble with me
i punched him in the nose and he backed off moaning
lets play i told the band
they struck up some old stupid song
it was 1970 remember
this is all true somewhere
they played close to you by the carpenters
then played ride captain ride by the blues image
ride captain ride upon your mystery trip
i blazed on the bass
wowee with a relatively big amplifier
(a strauss 100 watts)
and a nicer bass
(a fender telecaster copy)
i let loose a storm of bass notes
i pumped down low
i sang up high
both at the same time
the pumping nature of the low end
was so seditious and lowdown dirty
the women in the room swivelled on their barstools
and focussed their attention elsewhere
suddenly distracted
whilst the high end was singing to them
of distant india
where we all have once lived
and of lovely islands set down in tranquil azure
and of long warm nights in trueloves embrace
suddenly the spirit became bored
he set the bass down
we strolled out
into the lonely canberran night
my fingers itched
the liquor was burning my delicate guts
the tobacco was scorching my throat
it was still raining though
so theres continuity for you
escape velocity
wasted dayswasted nightswhere would i be without my painkillerthe sun fizzles in the morning sky like a cowardthe grey comes rolling ina man playing a fender mustang with black eyesa black man playing a fender with mustang eyesthe source of all musicthe gap in reason from which music haemorrhagesthe clown in me does his routinei live iti ami ami amthe mechanism is complicatedthe results are unpredictablei work down a little hole in the sidewalkdanger : poet at worki get a job delivering babiesi just put my walkmen on and push em thru the letterboxesi get a job flying plainsand after thatrolling hillsand i meet some woman who took me to her valleykissed my eyes open in raw daylighti was unfazed and unphased and undismayedthe people surrounded me what are you they said i said i’m the most in the leasti said i’m white hippy moses show me your red seawhy…he’s an old man spat out some arrogant youthsilence! …ordered their witch-chief..i will interrogate this fool..i was pushed into a foetid darkness the witch-chief was inside waitinglets see if this white man can sing the blues called the crowdlets see if this white man can jump.. catcalled othersis it a crime to be an olde white man..? i screamed at themand then i saw them clearlythe indiansthe nativesthe aboriginesthe islandersthe lappsthe inuitsthe aztecsthe incathe mayansthe zulus this was my audienceand all of them femaleand all of them beautiful young fierce proudyou..! they silently thoughtyou……sing us a song then …someone called deep in the auditoriumin my audience of oppositeswhat could i sing to you …i whispered in the microphonewhich version of me is it i ? i thought to myselfbut i caught sight of myself in the screensand it was the olde tired mewhiter than whiteolder than oldemasculine in everywaymy lined and […]
wasted days
wasted nights
where would i be without my painkiller
the sun fizzles in the morning sky like a coward
the grey comes rolling in
a man playing a fender mustang with black eyes
a black man playing a fender with mustang eyes
the source of all music
the gap in reason from which music haemorrhages
the clown in me does his routine
i live it
i am
i am
i am
the mechanism is complicated
the results are unpredictable
i work down a little hole in the sidewalk
danger : poet at work
i get a job delivering babies
i just put my walkmen on and push em thru the letterboxes
i get a job flying plains
and after that
rolling hills
and i meet some woman who took me to her valley
kissed my eyes open in raw daylight
i was unfazed and unphased and undismayed
the people surrounded me
what are you they said
i said i’m the most in the least
i said i’m white hippy moses show me your red sea
why…he’s an old man spat out some arrogant youth
silence! …ordered their witch-chief..
i will interrogate this fool..
i was pushed into a foetid darkness
the witch-chief was inside waiting
lets see if this white man can sing the blues called the crowd
lets see if this white man can jump.. catcalled others
is it a crime to be an olde white man..? i screamed at them
and then i saw them clearly
the indians
the natives
the aborigines
the islanders
the lapps
the inuits
the aztecs
the inca
the mayans
the zulus
this was my audience
and all of them female
and all of them beautiful young fierce proud
you..! they silently thought
you……
sing us a song then …someone called deep in the auditorium
in my audience of opposites
what could i sing to you …i whispered in the microphone
which version of me is it i ? i thought to myself
but i caught sight of myself in the screens
and it was the olde tired me
whiter than white
older than olde
masculine in everyway
my lined and planed face
my bristling white beard
my thin wispy hair
my frowning eyebrows
my smirking mouth
my chipped olde teeth
my grey blue eyes like a dull afternoon
sing then…someone shouted
i need a guitar i said into the microphone
a roadie with dreadlocks scurried on
she handed me a plectrum
and scampered back off
i stepped up to the microphone
testing testing ha ha
i strummed the guitar
it was beautiful
it was delicate
it was loud
delicious echoes of violins trailed from its starburst
i strummed a few chords…but what to play
what song to play to my audience of opposites
young dark female
young…..?
i had been young once…but….
i had never regretted being so olde as now
here among the glorious flawless perfection of youth
youth youth that fleeing ungraspable shadow
that brief flash before the long lonely night of death
i searched my heart
for something youthful
but i found only ages strangely numbing contentment
i saw their brown and black and tawny and olive skins
their perfect flesh
not changing with freckles and sunburn and age
not green with envy or pale as a ghost
not redder then a beetroot
i felt bleached
i felt whited out
white through and through
i knew nothing of any others
they frightened me
their unexplained rituals and exuberances shocked me
trapped within my zeitgeist
i ate white bread
i drank white milk
i listened to white music
i had white walls
which had white ants
i loved white chocolate
and white women
my world was a one dimensional blizzard of white
and then thirdly female
yes
but surely
what….?
no
what do i know of childbirth
of the maternal longing rooted deep like brainwashing
monthly courses fucking me up with its malarkey
the brutality of men who save it for women
what do i know of the rapist
the drunken violent father
the murderous husband
the crazy jealous ex-lover
the jeers and whistles and insults
the pressure
the seductions and betrayals
of none of this can i sing
when will you sing demand the young women
he can only sing olde white manly songs they taunted
listen i said
and my voice reverberated around the hall
and i was aware of how olde how male how white it was
just like all the great villains of history
olde white men the lot of em
listen i said into the microphone
in my softest female voice
which was still a croaky thing
listen to me
inside myself
i am not white or olde or male
you are not young or black or woman
they sang in their one thousand languages
i am not guilty i sang
neither are you innocent sang their voices
i had been strumming a kind of g chord
leaving my forth and fifth fingers in place
i dropped the bass note down to an f#
the song felt as if it were sliding away from under us
just like the honeymoon they wait for you to score
i sang
just like the animals they leave outside the door
they girls sang back in all their dialects
just like a welcome mat you lay down on the floor
just like a law for the rich
and a prison for the poor
i was getting thru maybe
i started playing a t rex song
love you oh girl i do love you
it was 1970 on a long winters day
i come home from school and switch on the oil heater
mums gone to england
and dad wont be home from work for ages and ages
and the house seems dark and unfamiliar
i see myself so unsure and hesitant
everything was within me waiting to flower
but look at me here
slim indeed
a chestless bit of a kid
with a prince valiant hairdo
plus nascent side-burns and…
(i am suddenly interrupted)
muse : what about that audience of opposites
the audience of opposites…oh…ah…
… dressed in a flannelette shirt n white cord levis
someone
has left a record here by a group called spirit
the drummer is a real old totally bald guy
like peter garrett forty years ago
there is a song called i got a line on you
what does that mean
i puzzle in the darkness
i got a line on you?
sydney spleen
ive had that horrible song in my headthat one about sallyjesus, sally is a horrible name toounless your sally forth…you knowtheres so much of little value out thereyou can imagine how the philistine drossburns the delicate sensibilities of someone like moii get to the poola guy there is telling me how his 9 year old son has formed a school bandtheyre playing oasis songs he sayswhy? i say (shocked by the sink-ronicity)because theyre easy and simple to play(exactly)and the kids understand the words(i’m sure they do)and they have a great singalong factor(just like baah baah blacksheep)you should see them he saysdont think i will be attending, though unfortunately…i have been always been naive and cynical simultaneouslywhich are 2 nasty traits in a manbut as parallel personality defectsthey are truly abysmalwhich is why i dont have any friendsbecause im stupid and smart at oncewho can tolerate that?i am at once incredibly cruel and incredibly kindi make every individual in the room the subject of my disinterestlook i love and loathe myself in equal measuresdont you? (actually steve, more people choosing the loathe option)thats oki have met many peoplewho loved me so much that….yes…they had begun to loathe…and of course…you guessed itas usualthere were those who came to loathebut ended up buried deep in lovei love to sit in my high lonely tower sending down my bitter and envious yet truthful biletheres a guy whose music i loathe so muchi would rather listen to liam sing a sarah maglockwin songthan abide one second of his puddingy syruphes a local guyhes doing 2 sold out nights at a lovely venue with orchgod wouldnt i rather be swanning around on that stagedressed in a tuxcrooning a few numbersand cleaning up the bucksrather than bashing it outwith my crew of evil wasted rockersin some beer […]
ive had that horrible song in my head
that one about sally
jesus, sally is a horrible name too
unless your sally forth…
you know
theres so much of little value out there
you can imagine how the philistine dross
burns the delicate sensibilities of someone like moi
i get to the pool
a guy there is telling me how his 9 year old son has formed a school band
theyre playing oasis songs he says
why? i say (shocked by the sink-ronicity)
because theyre easy and simple to play
(exactly)
and the kids understand the words
(i’m sure they do)
and they have a great singalong factor
(just like baah baah blacksheep)
you should see them he says
dont think i will be attending, though unfortunately…
i have been always been naive and cynical simultaneously
which are 2 nasty traits in a man
but as parallel personality defects
they are truly abysmal
which is why i dont have any friends
because im stupid and smart at once
who can tolerate that?
i am at once incredibly cruel and incredibly kind
i make every individual in the room the subject of my disinterest
look i love and loathe myself in equal measures
dont you?
(actually steve, more people choosing the loathe option)
thats ok
i have met many people
who loved me so much that….yes…
they had begun to loathe…
and of course…
you guessed it
as usual
there were those who came to loathe
but ended up buried deep in love
i love to sit in my high lonely tower
sending down my bitter and envious yet truthful bile
theres a guy whose music i loathe so much
i would rather listen to liam sing a sarah maglockwin song
than abide one second of his puddingy syrup
hes a local guy
hes doing 2 sold out nights at a lovely venue with orch
god wouldnt i rather be swanning around on that stage
dressed in a tux
crooning a few numbers
and cleaning up the bucks
rather than bashing it out
with my crew of evil wasted rockers
in some beer soaked bunker at a million decibels
prob’ly to 50 people and making 5 dollars petrol money
am i envious of this geezer?
well of course i am
but one note of his music or voice
makes me feel so restlessly compelled
to escape its vicinity
lest my poor sensibilities
drown in a mawkish quagmire of sickly goo
ha ha
i was sitting in the car waiting for my kids
and this big islander guy i know approaches me
hey he says
you like rock music dontcha? he says
eeeerrr that depends…i say
he says
dya want this ?
and he thrusts a copy of a free cd of said geezer
that the local rag had given away one sunday
i dont fucking want that ..i hiss at the guy
i dont fucking want it either says the guy
well dont fucking give it to me ..i say
i thought you fucking liked rock music ..says the guy
i do….and that aint it…i say
well you know i like rap and i fucking hate this ..he says
have you listened to it..i say trying to push it back in his hand
the guy sneers …accidentally…he says
he seems lost for words
i fucking hate music like that
we bicker over the ownership of the record for a while
i needed him to know
that before i accepted and destroyed this platter of noxious tripe
that this was not what we rockers listen to
particularly in view of the raquet painkiller is making
he seemed to think that me being a rocker
this music was falling under my umbrella
when in truth its more like a mix of
the captain n tenille
meets barry manilow
after hes just consumed 8 buckets of fairy floss
the rapper dude wasnt buying it
and finally with a menacing look
he threw the radioactive bit of schmaltz into my car and legged it
there it was
sitting accusingly on my dashboard
the kids hadnt come out yet
i timidly plucked it from its sleeve
stuck it in the cd player
and was just beginning to recoil in horror
when the door opened n a friend jumped in
what ya list’ning to , killer ? he asks
and then
oh
oh no
you dont think i was listening to this…
i was just…
i was just…
my friend gets out
backing away from the car horrified
at what he’d heard in my car
no no
you dont understand ..i miserably wailed
its not….
on the painkiller front
we rehearsed again yesterday
the painkiller crew are mean n desperate rockers
the volume was incendiary
the rock was turned up to 11 n a half
maymi was scorching and blistering
von ryper droned and strummed
bowden tuned in alien magnetic dustdevils
powles pounded and pummelled
i throbbed and ranted
exceeding all possible preconceptions
painkiller is now a living band
full of cut throat violent rock n roll hoodlums
ready to take no quarters and
give no prisoner
listening to us
is shirley the antidote
A FIX FOR A WORLD IN PAIN
PAINKILLER
ONLY >>>
a few days left…!!!!!!
guaranteed no fucking syruppy schlopp!
waiter minute
to tell you the truthi dont know what im gonna write todayi feel disgruntled by myselftired of my tricksand unable to surprise myselfit is hard to surprise oneselfand its no wonder reallynevertheless i would like to give myself a little surpriseor get me something nice for my birthdayat time of writing i had only about 12 commentson yessadays blog… and a load of them had been deleted…it saddens me to have to turn off the anonsi dont like censorship muchbut i never foresaw that some loony would be terrorizing meat this ripe old agejust for writing a blogits funny seeing people come n goi must admit i sometimes regret the whole carny-voor schismgod…its funnyits hilariousthe politics of running this thingall the stupid things ive done on hereplusall the sublime masterpiecesim sorry to be big headed (just one more time)but tell me pleaseapart from maybe sam sejavka..are there any other killers out thereknocking out this shemozzle EVERY day…?i sit down every day and i come up with something…big deal killer…..most of it raving on about yerselfisnt egomania a funny thing…? i was out at tims studio lassanitere-hursing agonydead’nerwhen i was rolling a joint on top of an old music ragtheres liam gallagher…jesus christ….he stands there with his hands behind his backsinging like a slightly simple boy doing the school anthemthe lyrics are mostly sing-song bilge he didnt even writehis voice is a real one trick ponyhe invests the songs with no emotion other than a sneer(but how could you really…i suppose…?)and when he does write a song…….its that one called little james which is so maudlin n tweethat if winnie the pooh sang it to piglet he’d vomit…and yet this is a tough guy…and he comes up with“so play with your toys…though they make noise”the cleverest thing about liamis that he […]
to tell you the truth
i dont know what im gonna write today
i feel disgruntled by myself
tired of my tricks
and unable to surprise myself
it is hard to surprise oneself
and its no wonder really
nevertheless i would like to give myself a little surprise
or get me something nice for my birthday
at time of writing i had only about 12 comments
on yessadays blog… and a load of them had been deleted…
it saddens me to have to turn off the anons
i dont like censorship much
but i never foresaw that some loony would be terrorizing me
at this ripe old age
just for writing a blog
its funny seeing people come n go
i must admit i sometimes regret the whole carny-voor schism
god…
its funny
its hilarious
the politics of running this thing
all the stupid things ive done on here
plus
all the sublime masterpieces
im sorry to be big headed (just one more time)
but tell me please
apart from maybe sam sejavka..
are there any other killers out there
knocking out this shemozzle EVERY day…?
i sit down every day and i come up with something…
big deal killer…..most of it raving on about yerself
isnt egomania a funny thing…?
i was out at tims studio lassanite
re-hursing agonydead’ner
when i was rolling a joint on top of an old music rag
theres liam gallagher…jesus christ….
he stands there with his hands behind his back
singing like a slightly simple boy doing the school anthem
the lyrics are mostly sing-song bilge he didnt even write
his voice is a real one trick pony
he invests the songs with no emotion other than a sneer
(but how could you really…i suppose…?)
and when he does write a song…….
its that one called little james which is so maudlin n twee
that if winnie the pooh sang it to piglet he’d vomit…
and yet this is a tough guy…
and he comes up with
“so play with your toys…though they make noise”
the cleverest thing about liam
is that he refused to sing that absolute stinker
dont look back in anger
gee what an original title….
stick dont in front of another title..et voila
dont catcher in the rye
dont sparkle in the rain , little james
dont get back
dont midsummers night dream
dont stand on the shoulders of midgets
anyway
that bit about telling sally to wait
makes me cringe and want to be anything but a songwriter
because i wonder if my songs ever revile people
in their sheer mediocrity
the way that particular turkey does me
yet
it sold bazillions
its a show stopper
noelle unwraps it triumphantly each night
right near the end
and people go nuts n singalong
and i must be going crazy
its goddamned so awful
its so mundane
its so meaningless in its realest sense
it means nothing
its like mass hypnosis
please someone out there concur with this…?!
anyway in said mag
liam says stuff like
the whole worlds jealous of me…they should be…”
ok in some ways its true…
we do envy your money
and we do envy your success maybe
i certainly envy the clever way you have parlayed
a very small modicum of talent into a stadium sized career
but there you go
a zillion people will eat at mcdonalds tonight
but my fave little veg place closed down….
its the philistine factor
on the other hand
it is perfectly likely
that i could echo liams arrogant words
about myself in some stupid rant
(remember the best songwriter in australia? ha ha)
and well us egotists n egoists
we forgive it in ourselves
but i think liam is not quite right that people are jealous of him
if you asked people who they would rather be
how many would say liam gallagher
youd pick someone with money AND intelligence, wouldnt you..?
like dylan or sir paul
or i dunno
insert someone with money n intelligence here..
dont put me because i have neither
its terrible
but i hate so much music
i always have
i used to hate credence clearwater at school
but i dont mind em now
i used to hate slade
i never really liked that yobbo thing that much
but all the kids at school loved em
i didnt like the blues or country
i didnt like heavy or west coast
i didnt like much prog or folk
im a picky finicky bloke
i dont really like my own stuff that much really
i’m disappointed sometimes it isnt any better
but no one it seems
is on all the time…
i saw” i’m not there” with our cate as bob
and
i’d recommend it to any dylan fan
kinda explores some similar avenues as this blog actually
in another kinda way though
you should see it..
last night rehearsing with stellar crew
ricki rene maymi on guitar
maymi is master of all instruments and jack of none
he is bringing painkiller guitar parts alive
on his gibb-sun 13 string nipple red guitar
joining him
is the man
with the best hair in rock music
scott von ryper from the black ryder
whose jet black locks thickness n sheen
would be the envy of any rocker extant
hes playing twelve string acoustico plus
on keys n radiotronics william bowden
a true master of time n space
who also masters records
on drums timbo powles
who kneads no intro-ductions
simon polinski will mix us on the nite
oh do please come if you can
cos this is painkillers first last n only show prob’ly ever
so pawn your grannies silverware to get there
it will be a good night
10 sept somewhere in sydney
always someone behind ya who will call, its nothing at all…
i was recording “undine”when dad and kathy dropped into the studiothat was when we used to record up on merlin streetnot far from the olde mercury towers buildingi was just putting the final vocal touches to the title tracki was singing in the darkened boothsipping occasionally on a glass of johnny walker scotch (silver label)and puffing on the ever-present weedmy voice was strained and soreit hurt my throat to go for the high notesi was singing low and huskyi saw dad firsthe was talking to john b the engineeri could see dad was making john laugh at the consolethen i saw kathyshe was peeping shyly round the door in the recording roomthere she was as bright as a button as alwayswe hadnt seen each other for so long nownot since i became quite famousand i got stories written about me in the newspaperwe had both changedboth of us now were taller and gaunterare you identical twins ? stupid people had asked us now n thenhow can a boy n girl be identical? we’d ask back at the same timeand then face each other roll our two sets of grey-blue eyesand storm offwe were friends and twins and brother n sisterwe played our own complex gameswe had our own languageonly dad was allowed in our worldusually dad and kathy ganging up on meit made me laugh when they played with mebut it made me sad too kathythat you always took dads side……seeing her there, my voice took on a new leash of lifejohns voice came on in my headphones“well schteve ……” in his characteristic slur“wanna try another one?”ok i saidand the music rolled infirst of all a lonely accoustic guitarits playing a f# minor 9th over and overmy bass came meandering in looser than a golden goosethe drums pitter patter… just […]
i was recording “undine”
when dad and kathy dropped into the studio
that was when we used to record up on merlin street
not far from the olde mercury towers building
i was just putting the final vocal touches to the title track
i was singing in the darkened booth
sipping occasionally on a glass of johnny walker scotch (silver label)
and puffing on the ever-present weed
my voice was strained and sore
it hurt my throat to go for the high notes
i was singing low and husky
i saw dad first
he was talking to john b the engineer
i could see dad was making john laugh at the console
then i saw kathy
she was peeping shyly round the door in the recording room
there she was as bright as a button as always
we hadnt seen each other for so long now
not since i became quite famous
and i got stories written about me in the newspaper
we had both changed
both of us now were taller and gaunter
are you identical twins ? stupid people had asked us now n then
how can a boy n girl be identical? we’d ask back at the same time
and then face each other
roll our two sets of grey-blue eyes
and storm off
we were friends and twins and brother n sister
we played our own complex games
we had our own language
only dad was allowed in our world
usually dad and kathy ganging up on me
it made me laugh when they played with me
but it made me sad too kathy
that you always took dads side……
seeing her there, my voice took on a new leash of life
johns voice came on in my headphones
“well schteve ……” in his characteristic slur
“wanna try another one?”
ok i said
and the music rolled in
first of all a lonely accoustic guitar
its playing a f# minor 9th over and over
my bass came meandering in
looser than a golden goose
the drums pitter patter… just like water in fact
an electric guitar crying in gentle wah wah
i get ready to sing
my entry coming up
abrubtly the song rises up to d major
i begin to sing
beneath the surface where i watch you
drift away so drift away
everybody half something else
everybody wants to change
strangely enough
nothing could change you….
the music stopped
b’s voice came on
“mate you got it!”
i go back in to them
i have john play them our new album
dad says youre bloody clever, arent you
kathys got some little tears in her eyes and she just nods
but her nod means she really loves it
lets go out and have some dinner dad says
dad lets kathy drive his triumph sable but with much wincing
i sit in the back talking in her ear as she drives
and i ask her about south america
through the rainy streets of alexandria and kensington
kathy began to tell us about her time in argentina
as she braked and accelerated and steered through the shiny night
she met a man, a magic realist
THE magic realist according to some
enrico ruiz revilla
author of the lonely world
now a motion picture starring nicole kidman and tyrone powers
he was on holiday
and had seen my sister acting in shakespeares play beauty stab
and contacted her via her agent
they met and fell head over heels
and kathy had gone off to argentina with him
there they had embarked upon making a film
the film was sometimes called the two beasts
or sometimes
no su amante
anyway things became strange during the early days
things went missing
people changed roles and dropped out of character
the moon turned pink one night with a delicate mauve aureole
a real gun was fired injuring several cameramen
my sister begins to suspect somethings going wrong
but she cant speak much spanish really
shes acting in the film but she only has a few lines in spanish
during the montezumas dream sequence
she says
si no el cortez, entonces algun otro
kathy repeated her phrase a few times in the car
as if hypnotized…
gee thats sounds like real argentinian my girl said dad
thats really good kath i said
no its not really but i’m supposed to be english she said
anyway…
what about your enrico…? asks dad..what was he doing..?
kathy sighed
swinging into neptune street and changing lanes
she drove carefully down the long palm tree lined avenues
presently she begins to speak
dad and i listened in silence to her tale
“rico was obsessed with this fellini movie
or was it the norwegian director alldrig
about a group of people in this castle
changing into birds and flying around
watching everything
all the pain
all the joy
all the struggle
although set in medieval times
some characters appear to be modern
with wrist watches and telephones
usted no penso que entonces fueron inventados
i think my character says…
something like that
but some people understand whats happening
theres this hunter who traps the birds
and oh i dont really know
he does dreadful things to them
i never really understood this part
jesus is in there as this mexican god
i mean it really looked like jesus but in this golden head dress
and enrico and some others took some wild new drug
and some snake ate the birds that had been trained
at the same time as this
argentinas economy had gone all wobbly as enrico said
and our set was being repossessed bit by bit
we drove up into some mountains
and i was lost in a snowstorm
wandering in a white wilderness
my body became numb
i could not feel it
and eventually i did not care
i felt so sleepy and i lay down and slept
and the next thing i knew
i was walking in the door of the studio tonight..”
we arrived at our destination
but dad and i could say nothing
water table
sydney lashed by violent stormsthe rain comes rushing in diagonallythe palms weird in the grey lightpeople huddle under awningspuddles form in the morningsnatalie lies sleeping in bed all warm n aromaticscarlet lies on a cushion in my roomcurled up and slightly sad about somethingshe comes and sits on my lapmuttering something softlyshe finds a headless figurine which happens to be on my deskshe regards it with big blue sad eyesis it any good now her heads gone ? i sayshe shakes her big head and gently sets it downlast night dublin frank n janice n marloncame over for a minestrone soupricki rene maymi was also on handi was being testedfrank keeps teling methat crunchie and violet crumble bars are the samethis is the sort of heresy you’d expect from a gaelic typeall puffed up on euros and leprechaun carving grantsbut anyway i had set him straightthey are completely different i saidgive me the blindfold taste testso after soupy n saladout came crunchie bar n violet crumble bari was blindfoldedyes yescome onand voilathey give me a bitits crunchieit dissolves in the mouth all sugaryyep thats a crunchie i saynext i get the violet crumbleits all chewy the chocolates different everythingthats the crumble i saya big cheerof course i was rightand you shouldnt bet on a certaintyno one else could get the taste test rightincluding the wild n glamourous rocker maymiwho couldnt tell a crunchie from a crumble if it bit his assthe kids all triedbut were more interested in just eating the candyfrank himself tried got it wrongand saidtheyre completely differentAFTER HE WAS THE ONE SAYING THEY WERE THE SAME!!!aint that just like a bloody irishmannk refused the blindfold on the basis it might mess up her hair-doand scarlet was peepingand she didnt know or careshe just wanted some more chockyricki […]
sydney lashed by violent storms
the rain comes rushing in diagonally
the palms weird in the grey light
people huddle under awnings
puddles form in the mornings
natalie lies sleeping in bed all warm n aromatic
scarlet lies on a cushion in my room
curled up and slightly sad about something
she comes and sits on my lap
muttering something softly
she finds a headless figurine which happens to be on my desk
she regards it with big blue sad eyes
is it any good now her heads gone ? i say
she shakes her big head and gently sets it down
last night dublin frank n janice n marlon
came over for a minestrone soup
ricki rene maymi was also on hand
i was being tested
frank keeps teling me
that crunchie and violet crumble bars are the same
this is the sort of heresy you’d expect from a gaelic type
all puffed up on euros and leprechaun carving grants
but anyway i had set him straight
they are completely different i said
give me the blindfold taste test
so after soupy n salad
out came crunchie bar n violet crumble bar
i was blindfolded
yes yes
come on
and voila
they give me a bit
its crunchie
it dissolves in the mouth all sugary
yep thats a crunchie i say
next i get the violet crumble
its all chewy the chocolates different everything
thats the crumble i say
a big cheer
of course i was right
and you shouldnt bet on a certainty
no one else could get the taste test right
including the wild n glamourous rocker maymi
who couldnt tell a crunchie from a crumble if it bit his ass
the kids all tried
but were more interested in just eating the candy
frank himself tried
got it wrong
and said
theyre completely different
AFTER HE WAS THE ONE SAYING THEY WERE THE SAME!!!
aint that just like a bloody irishman
nk refused the blindfold on the basis it might mess up her hair-do
and scarlet was peeping
and she didnt know or care
she just wanted some more chocky
ricki n frank then went off to jlks
to prepare a future esoteric music club track
and i tried to get tibor the falcon outta the drive
but some idiots had parked us in
janice n young marlon had to walk home
i backed tibor down the drive all angry in the dark
and probably reversed over all the flowers
(down the side of this house this smorning)
after getting the 3 children down to sleep
my wife showed me some new clothes she had bought
(with subscribers generous subscriptions, of course )
and i was quite taken…
maybe that is not the quite the right word
but anyway….
wake up this morning kissing my wife
open my eyes
and there is scarlet watching me mournfully
i thought kids would be happy to see parents kissing
but not little bloody sk
who starts to writhe and groan
real tears!
and everything
just coz daddy kissed mummy good morning
christ! sometimes youre just wrong whatever you do
i get up and take scarlet back in to the doodles
hey evie
i gotta delivery for ya
evie goodnaturedly n half asleep makes room for the woofle
whose kicking n growling like little tassie devil in a trap
she goes into the doodles bed roughly
but they envelope her in their warm sleepiness
and eventually
as i walk back to my room
i hear her protests gradually diminish into silence
believe me
if you wake up early on a saturday
and youre kissing your little sweetie good morning
the last thing you want in yer face
is an angry little moaning woofle
so….
anyway
lets see what saturday will bring…
all of you in my thoughts
sk